https://www.bertgilbert.co.uk/bt-childline daily 0.75 2017-01-12 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462105505574-YU5TWG6QQRHZVZ9L4D9C/image+1.jpg BT / CHILDLINE - Cellphone 2014 Phone box, foam, calico , screenprint https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462105505574-YU5TWG6QQRHZVZ9L4D9C/image+1.jpg BT / CHILDLINE - Cellphone 2014 Phone box, foam, calico , screenprint https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1454311814284-JJ5L4QF1UGAMOEU2SDBX/image-asset.jpeg BT / CHILDLINE - BT / CHILDLINE - "Cellphone", 2012 AN ART PIECE PRODUCED IN COLLABORATION WITH AUTHOR MARK CRICK, FOR THE BT ART BOX PROJECT. To celebrate 25 years of childline, a number of artists were commissioned to create a new take on the Gilbert Scott phone box. GILBERT CRICK CELLPHONE Harlow’s seminal studies on childhood development (1957-1963) offered infant monkeys the choice of two mothers – one for feeding (made of wire, with feeding nipple) and one for comfort (soft and padded, with no feeding nipple). The infant monkeys would spend an overwhelming majority of time on the second, comforting mother, evidencing that contact comfort is a more powerful force in development than basic nutrition. After reflecting on the role of the telephone box as a refuge for children via childline, the concept for the phone box comprises of padding the box as an inverted padded cell. The tactile padding of the box invites the viewer to touch and hug its soft, safe and secure exterior. Instead of being imprisoned by the trauma, the viewer can reflect on past traumas. Childhood itself can be like a padded cell, safe, soft and cocooning, a protection from harm, for others it is smothering, isolating and prison like. Many of us as adults spend the majority of our lives trying to confront and heal from relative levels of abuse. In a padded cell, you are contained for your own protection, as a shelter from the outside world, to help your recuperation back from “madness”. The padded cell represents the climax of illness by inverting the padded cell it suggest a stage of recuperation and reflection on traumas past.   https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1454345825248-A08YWPCF22J0VP4JSXTS/image-asset.jpeg BT / CHILDLINE - BT / CHILDLINE - "Cellphone" installation, 2012 (Watch video @BBC News, 0:44 sec - 1:00 min) AN ART PIECE PRODUCED IN COLLABORATION WITH AUTHOR MARK CRICK, FOR THE BT ART BOX PROJECT. To celebrate 25 years of Childline, a number of artists were commissioned to create a new take on the Gilbert Scott phone box. GILBERT CRICK CELLPHONE Harlow’s seminal studies on childhood development (1957-1963) offered infant monkeys the choice of two mothers – one for feeding (made of wire, with feeding nipple) and one for comfort (soft and padded, with no feeding nipple). The infant monkeys would spend an overwhelming majority of time on the second, comforting mother, evidencing that contact comfort is a more powerful force in development than basic nutrition. After reflecting on the role of the telephone box as a refuge for children via Childline, the concept for the phone box comprises of padding the box as an inverted padded cell. The tactile padding of the box invites the viewer to touch and hug its soft, safe and secure exterior. Instead of being imprisoned by the trauma, the viewer can reflect on past traumas. Childhood itself can be like a padded cell, safe, soft and cocooning, a protection from harm, for others it is smothering, isolating and prison like. Many of us as adults spend the majority of our lives trying to confront and heal from relative levels of abuse. In a padded cell, you are contained for your own protection, as a shelter from the outside world, to help your recuperation back from “madness”. The padded cell represents the climax of illness by inverting the padded cell it suggest a stage of recuperation and reflection on traumas past. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462198591026-PRYHJDJO69CNFK9EINFJ/bt+art+box2web.jpg BT / CHILDLINE https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/5603585be4b0becc0037b300/56aefc4817e4f1a0c453ac8b/1454308424776/ BT / CHILDLINE - BT / CHILDLINE - The Cellphone, 2012 AN ART PIECE PRODUCED IN COLLABORATION WITH AUTHOR MARK CRICK, FOR THE BT ART BOX PROJECT. To celebrate 25 years of childline, a number of artists were commissioned to create a new take on the Gilbert Scott phone box. GILBERT CRICK CELLPHONE Harlow’s seminal studies on childhood development (1957-1963) offered infant monkeys the choice of two mothers – one for feeding (made of wire, with feeding nipple) and one for comfort (soft and padded, with no feeding nipple). The infant monkeys would spend an overwhelming majority of time on the second, comforting mother, evidencing that contact comfort is a more powerful force in development than basic nutrition. After reflecting on the role of the telephone box as a refuge for children via childline, the concept for the phone box comprises of padding the box as an inverted padded cell. The tactile padding of the box invites the viewer to touch and hug its soft, safe and secure exterior. Instead of being imprisoned by the trauma, the viewer can reflect on past traumas. Childhood itself can be like a padded cell, safe, soft and cocooning, a protection from harm, for others it is smothering, isolating and prison like. Many of us as adults spend the majority of our lives trying to confront and heal from relative levels of abuse. In a padded cell, you are contained for your own protection, as a shelter from the outside world, to help your recuperation back from “madness”. The padded cell represents the climax of illness by inverting the padded cell it suggest a stage of recuperation and reflection on traumas past.   https://www.bertgilbert.co.uk/ideograms daily 0.75 2022-09-11 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458067252975-TZXWSH715N2RY7S139SE/DOT-LONDON-eycon-final-animation2.gif IDEOGRAMS - EYECON 2016 Digitial gif https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458067252975-TZXWSH715N2RY7S139SE/DOT-LONDON-eycon-final-animation2.gif IDEOGRAMS - EYECON 2016 Digitial gif https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461932094040-LYSEPQY1JS4G1XOIT30G/FINGER+CATSUIT+BODY+FINAL+COL+FRONT+NEW.jpg IDEOGRAMS - SECOND SKINS: FINGERING FEATHER PRINT https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458171717809-95OPE0V2HQMSCRX215LP/e34.jpg IDEOGRAMS - Eycons 2011 Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466553932318-8GNM5CD6YNC8TP7YLZBN/eywhite+tiff+2015+repeat.jpg IDEOGRAMS - 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Gender Blur : DICKHEAD 2015 Photography and card https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458220411178-J7FPIC9VLPCXREIE7Q9I/Body-Parts_ears.jpg IDEOGRAMS - Genderblur 2015 : EAR ME NOW https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458220459192-VFRQS0XN9FG0B57J6G3P/Body-Parts_noses.jpg IDEOGRAMS - Gender Blur 2015 : sniffing out bullshit https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458315736664-5RDMQ1PM4PTSTNQMG5MQ/Body-Parts_mouth.jpg IDEOGRAMS - Genderblur 2015 : BIGMOUTH https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466553971765-XQEZVB32OEO3QCNZBXNT/postcard.jpg IDEOGRAMS - Bert Industries 2003 : wallpaper print https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1454479632619-GISY7S6YT2QPNAPP4GT4/Voodoo_hanging-man_white.jpg IDEOGRAMS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463389749570-CBJM6VIV69U7ZEXBL7FJ/skulldottery+2016+WEB.jpg IDEOGRAMS - Skulldottery print 2003 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1454366992778-TRARABWPHIEG1JIXB2LK/Voodoo_hanging-man_white.jpg IDEOGRAMS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458223377539-KPA7GA9M9FMLTQL90TSX/art+shaman+front.jpg IDEOGRAMS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458065223105-WU121OA752UNARQ8BK6Z/baptism+by+fire+new.jpg IDEOGRAMS https://www.bertgilbert.co.uk/spanking-protest daily 0.75 2016-05-01 https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/t/5725f2def85082b93e0cf06c/1454309711263/ SPANKING PROTEST https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/56af00b3d51cd44f3db4fa01/56af014f126eabdde2d902ea/1454309711263/ SPANKING PROTEST https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/56af00b3d51cd44f3db4fa01/571b60e3f8baf3a83d839414/1462104798427/ SPANKING PROTEST https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/56af00b3d51cd44f3db4fa01/571b611f8a65e2b3ce09ada0/1462104798475/ SPANKING PROTEST https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1454353092556-8KHQDIGJU4Y5D04WLLXU/image-asset.jpeg SPANKING PROTEST - 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Alchemical shroud 2016 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462146275704-YYF1FIT71TUUBZRTLC0H/LOBSTER-FINAL-SPACEGOAT.gif THE SCAPEGOAT - The Scapegoat : Psychoactive Digitial Gif 2014 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466937491948-KT0HYTGRP7EQ7MMUVUHD/Screen+Shot+2015-03-26+at+14.09.28.png THE SCAPEGOAT https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466260039352-ZSH2COLPU19URMF2VSV7/LOBSTER-FINAL-SPACEGOAT.gif THE SCAPEGOAT - The Scapegoat : Psychoactive Digitial Gif 2014 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662928484958-QLXFBSLFWCWVE2TH5XR6/FIRE-FINAL.gif THE SCAPEGOAT https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458182141363-XROXN20S14A2E5CLRBT2/IMG_1870.12_800x1080.jpg THE SCAPEGOAT - THE SCAPEGOAT https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662928435619-J9TP863N80Q9BYC8S5WH/incense-bert.jpg THE SCAPEGOAT https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1454782114286-KYHUL8N2Y63TOXAB2M71/IMG_1870.12_800x1080.jpg THE SCAPEGOAT https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458063239095-O1F33GOZ4PN32RHL8LDM/IMG_1819.jpg THE SCAPEGOAT https://www.bertgilbert.co.uk/dazed-and-confused daily 0.75 2016-05-08 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456136962214-5CW5WCL2I4D1D5UCKI0V/Dazed-%26-Confused-cover.jpg DAZED AND CONFUSED https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456136962214-5CW5WCL2I4D1D5UCKI0V/Dazed-%26-Confused-cover.jpg DAZED AND CONFUSED https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456136829830-6RH8RI5I8I6DFGMAU9OZ/Dazed-%26-Confused-article.jpg DAZED AND CONFUSED https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456136606604-UYJQOUI154B9ZVAAHYL6/Dazed-%26-Confused-cover.jpg DAZED AND CONFUSED https://www.bertgilbert.co.uk/le-cool daily 0.75 2016-05-08 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456135734070-ARYHNO26KS7LWG2HPIQN/LE-COOL-1st-show.jpg LE COOL https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456135734070-ARYHNO26KS7LWG2HPIQN/LE-COOL-1st-show.jpg LE COOL https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456135734847-3CKDDL1DL7NDL7CQDVBT/le-cool-spankatron.jpg LE COOL https://www.bertgilbert.co.uk/the-telegraph daily 0.75 2016-05-08 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456141614131-ESY7H0EQH228OKSKS5PO/image-asset.jpeg THE TELEGRAPH - Spanking protest at Fifty Shades of Grey premiere Watch video @The Telegraph, UK https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456141614131-ESY7H0EQH228OKSKS5PO/image-asset.jpeg THE TELEGRAPH - Spanking protest at Fifty Shades of Grey premiere Watch video @The Telegraph, UK https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/56caf10762cd943a153a0514/56caf1255f21e0680511f96e/1456140572212/ THE TELEGRAPH https://www.bertgilbert.co.uk/new-gallery daily 0.75 2016-05-08 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456138441900-CVAHUDLCNUYVX835XFMI/WGSN_article.jpg WGSN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456138441900-CVAHUDLCNUYVX835XFMI/WGSN_article.jpg WGSN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456138522222-QG7MX8PJW4OOVMGUSEIB/WGSN_article.jpg WGSN https://www.bertgilbert.co.uk/evening-standard daily 0.75 2016-05-08 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456139787832-121NCZ9Q397NPN5LGQH2/Evening+Standard_The+Bottom+Line_May+2012.jpg EVENING STANDARD https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456139787832-121NCZ9Q397NPN5LGQH2/Evening+Standard_The+Bottom+Line_May+2012.jpg EVENING STANDARD https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461411305157-0C0R0H9MKZ21OENDZ6IL/es+binks.jpg EVENING STANDARD https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461411331356-W5HNM7GN48GEFSQB2ERO/es+anna.jpg EVENING STANDARD https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461411343175-EN437I9F3O2MWNWKYWKY/es+ssclub78.jpg EVENING STANDARD https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461411346149-0F4UMKPG8F8JQEWPW7Y6/es-bob-and-bert.jpeg EVENING STANDARD https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461411798557-WDC5N2MN77D1X9F78XN0/car-boot-press+web.jpg EVENING STANDARD https://www.bertgilbert.co.uk/new-gallery-1 daily 0.75 2026-06-02 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456138727745-4EZSDVZUUL2FBJ38L5XW/Vice_article.jpg VICE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456138727745-4EZSDVZUUL2FBJ38L5XW/Vice_article.jpg VICE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458053388488-VFUO31AEV0JJPCQNW51W/CocoDeMer_Esme_C.jpg VICE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458053387130-PO7DPHVLHJWGHAF5C6KN/CocoDeMer_Esme_D.jpg VICE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461411798557-WDC5N2MN77D1X9F78XN0/car-boot-press+web.jpg VICE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461411305157-0C0R0H9MKZ21OENDZ6IL/es+binks.jpg VICE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456141614131-ESY7H0EQH228OKSKS5PO/image-asset.jpeg VICE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456139787832-121NCZ9Q397NPN5LGQH2/Evening+Standard_The+Bottom+Line_May+2012.jpg VICE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456138727745-4EZSDVZUUL2FBJ38L5XW/Vice_article.jpg VICE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262787619-MSB1FBHNUF8JMFE1TLTB/image-asset.jpeg VICE https://www.bertgilbert.co.uk/press-1 daily 0.75 2016-05-08 https://www.bertgilbert.co.uk/weaponshere daily 0.75 2026-06-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461925872211-NQ2ZWQHA0JW8SBFN4PVU/cornacopia.jpg WEAPONSHERE - Cornicopia 2016 Carved cow bone, gold leaf and paint https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461925872211-NQ2ZWQHA0JW8SBFN4PVU/cornacopia.jpg WEAPONSHERE - Cornicopia 2016 Carved cow bone, gold leaf and paint https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461925890321-9OS1X7EWXNCS9CFPXYNQ/oysters.jpg WEAPONSHERE - Oyster Seer 2016 Gold leaf, oyster, quartz crystal and acrylic   https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461925882617-39PCCFSGS0L9977PNIO1/milk150.jpg WEAPONSHERE - Eye pearl Gold leaf, ink, quartz crystal, paint Photo: Nerys Jones https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461925890099-GPVOLKVZ2VWVTVHDL2QU/snake2.jpg WEAPONSHERE - Medusa finger snakes 2016 Silk, pen, watercolour, cottonballs and gold thread Photo Nerys Jones https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461925876696-WMG63ENNHAHJHN8146NU/milk130.jpg WEAPONSHERE - Alchemical Claw 2016 Lobster claw and gold leaf https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462230523404-OD2SX3ZC0YLIH6UMDJVZ/milk130.jpg WEAPONSHERE - Alchemical Claw 2016 Lobster claw and gold leaf Photo: Nerys Jones https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461932532670-HXBRRPR8Y758XZHPFBGG/FINAL+VCROP+BLUER.jpg WEAPONSHERE - HHH 2014 Leather, silk thread and stuffing, poppies, lavender, fennel, roses, black pepper, aniseed, cinnamon, allspice and cloves Guys hospital / The herb garret / Operating theatre> This work exists as a triangle of metaphors to be considered objectively by the viewer. Each measured mark has a symbolic gesture and sits in a tension of unison. The hand crafted tender stitch line draws each ventricle bringing life within the tanned skin. The physical shape and form is held by the healing apothecary scents. The obsessive stitched line pierces and punctures wounding the tanned skin. The cocooned herbs dying, panicked and smothered in their flesh cell.       https://www.bertgilbert.co.uk/past daily 0.75 2026-06-05 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780650697628-N2DD15W2UR1VQU5WXYBV/mirrormirror+%282%29.png THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780650697628-N2DD15W2UR1VQU5WXYBV/mirrormirror+%282%29.png THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461930135411-W7P0C4CWUYQP31AAMKCK/1.jpg THE GARDENERS - The Gardeners Photographer Christopher Sims https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461930135958-N49OU9AGHI285IYD44DL/3.jpg THE GARDENERS - Come hither be still and quiet Photographer Christopher Sims https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662905737272-S4KBA8MUDXBM5JNDJ6OY/sims-bert4low.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461930153579-XZL2JXKKT2VKVD5OQT0K/6.jpg THE GARDENERS - Exhausted they sat after a successful killing spree Photographer Christopher Sims https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662905568682-5R4D1RDJ9RGWGAF6QPM1/bert-12.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662905619899-3LJAYLE1MM21GVVZT8AY/bertch2filow.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463358137795-YF0DX7MWU5I53WD38KO8/NG_BertEC-epping.jpg THE GARDENERS - If you go down to the woods today you won't come back with you're eyes Photography by Nathan Gallagher https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1467196602659-1KY6LUJML3K9I2Y7SZDT/snail+inside+web.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662905851073-ODLGMEFBCEU41ZLWP3UV/evil+poles.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463361469904-JFYEWZEWFAF0G3BILGI6/garden.jpg THE GARDENERS - FLESH GARDEN 2006 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461930278029-HBLY656HDPA2TLPIWEY7/Scan10003.jpg THE GARDENERS - Skin Chesterfield 2007 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458066812646-1QPIMEYVFHZ38T4B2KE3/the+libruary-1.jpg THE GARDENERS - The Libruary 2007 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466946781731-DYZJ76FFTLMBGPW2272J/yi-fly.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466946713283-XD4VT1IRC77B66WPXQJL/pink+trap+cutout.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463358409710-70XPMA7YARXGAPMSWJF8/CRI_0493.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462146476321-HQ8DC7LC5YIA3AVZ1NZ7/watch+out+mooths+about.jpg THE GARDENERS - The Mooths 2007 Part Moth part mouth https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466944221549-TQMY7Q9BFXKUJ6MGZ3QA/theatre-with-mouths.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458171684364-Y47Z27WR2Z2LN1M3XJC1/image-asset.jpeg THE GARDENERS - EYECONS 2012 Acrylic on Canvas https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1467196427302-PDQ92GLGGYLCLS4Z7OOH/curiosities+..+stuffed2.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463358396641-DLCASMCOUI0QUVT88JAL/bert8.JPG THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1467196848898-CI1W7Y3XN717Z5CZX96L/snail+inside+web.jpg THE GARDENERS - The Blood Snail https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463358278430-20GO8KI5ZJ7FP52ZEBIM/children-paper-small1.gif THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463358364561-KC5HIPXWQJZ8EKJI4SA1/forest+scene+colured.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461930301287-GOUX7RXR6Z9U8GW8FFPE/Gardeners_eye_grapes.jpg THE GARDENERS - Eye Vines 2006 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463358229638-JXSN49UP4J9QDNXAT6D1/anyone-for-a-meat-smoothie-.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1467196434514-DMWNMG1YUF5NC1GFJNAL/snail+inside.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463358267643-91Y9CJBUKWXY4AVGP2P4/woods-today.gif THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458180466610-0GDQE5W8BKD74U2SCUNA/nude+body+with+logo+option+FINAL+blank.jpg THE GARDENERS - Anatomy t shirt print 2009 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462714967780-UENXHLXCR44GMGQHVPNQ/Things-In-Jars_heart.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1454392818600-C9Z52G7K3O6H4QGLLC0V/Things-In-Jars_lungs.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462195807953-67736UP1WA1UMJSSBNR9/testube+babie+lightter.jpg THE GARDENERS - Test Tube Baby 2012 testube, tights and thread https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458218255335-JXWGPPJJB3YXZPQQIXVY/tight+babies+2bw.jpg THE GARDENERS - The Abortions 2005 Glass, tights and Thread https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462198785687-PWW878KMW6BJ4EFJPJOQ/garden.jpg THE GARDENERS - FLESH GARDEN 2006 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662905895248-772HDAIT9TT81TXAULJG/_C1J5893-Edit_sml.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662905894216-K5WZ811LQ87TV9MPBHLU/NG_BertEC-NGP.jpg THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461943511252-FGKDTIFHUGGFKLJER4HY/DOT-LONDON-eycon-final-animation3.gif THE GARDENERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461930275429-80L3BERDXL9VTR1MI972/garden.jpg THE GARDENERS - FLESH GARDEN 2006 https://www.bertgilbert.co.uk/new-gallery-4 daily 0.75 2026-06-05 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780641910535-PLFTDGMEDN9WE6P7YGOG/SORCERESS%282%29.jpg SORCERESS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780641910535-PLFTDGMEDN9WE6P7YGOG/SORCERESS%282%29.jpg SORCERESS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462454870714-IHUH54FKWIXXIRP9IDX0/HAND+SCREAM.jpeg SORCERESS - Hand Scream 2016 screenprinting ink on paper https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462142304268-U651AHZ3H1IBB3MFH1ZB/ladder+to+web.jpg SORCERESS - Ladder too 2016 Twigs and banadges https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461764187104-1KVTDPYS9OIFY9B8WK0D/3rdeye+web.jpg SORCERESS - EYEWOOD 2016 Branches, canvas, hair, gloss paint and red silk thread https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462142348606-X4P3SP8LGWA7UTALRTUK/goat+skin+web.jpg SORCERESS - Cape of Goat 2016 Canvas, wood, screenprinting ink and red string https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462142334589-OOQ3DRDWSM1NN0LFPK3U/tanned+snake+shedded+skins+web.jpg SORCERESS - Cape of Snake 2016 wood, red silk thread, canvas and screenprinting ink https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462142422161-HVRP6112GBXKOEI2R1G7/asylum+overview+2+web.jpg SORCERESS - Asylum Installation https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461764230631-72NFFZ9GI9CAL4BNPD5X/mini+nut+cage+web.jpg SORCERESS - The Nut Cage twigs , gaffer tape and acorns https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461761031270-GO7V2FQDR3LWKVFY3VDZ/asylum+show+1.jpg SORCERESS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461764324491-04DAELS39X5R42U6NXO3/womb+bone1web.jpg SORCERESS - The bone collector : womb bones 2016 Medical bones, emulsion, red thread https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461761025294-JBQ1BMCH3LFAG572DXBZ/ladder+to+web.jpg SORCERESS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484268509149-6M9XCXD9T9TOAOPDMUT3/Screen+Shot+2017-01-05+at+13.55.53.png SORCERESS - THE NUT CAGE Found wood from asylum grounds, ripped bed linen binding https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461761017316-ESNQDDYA5ZJ1PTIYOA0F/bert+sorcery+1+web.jpg SORCERESS - Ritual vol.III Germany https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461747796303-1BMFXJI46Z08DHILNQY8/ladder+to.jpg SORCERESS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466551874163-80ENBHI2EGP7OYUMLNAI/HAND+SCREAM.jpeg SORCERESS - HAND SCREAM 01 https://www.bertgilbert.co.uk/new-gallery-19 daily 0.75 2016-06-26 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462741821098-7WPVN7AXFG224ILGY7IF/sunday+timesstyle.jpg Sunday times Style https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462741821098-7WPVN7AXFG224ILGY7IF/sunday+timesstyle.jpg Sunday times Style https://www.bertgilbert.co.uk/book-of-skulls daily 0.75 2017-01-15 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462741635163-3HI3YB2MLDY4NMSHGLQU/book+of+skulls+spread.jpg Book of skulls https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462741635163-3HI3YB2MLDY4NMSHGLQU/book+of+skulls+spread.jpg Book of skulls https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484259227195-K13ZBS3UMHG0045IIYDS/skull+book+front.jpg Book of skulls https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484510201046-KTQ3KB4P5BSKJ7OWGA93/skull+book+2.jpg Book of skulls https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461412928490-2WF0LZXYQBT3J24GV278/book+of+skulls+spread.jpg Book of skulls https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484510308791-2N23AHSI7FZU4V7WL3PX/skull+book+1.jpg Book of skulls https://www.bertgilbert.co.uk/new-gallery-5 daily 0.75 2016-06-26 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466946345619-SXUXILSL8GIM7AAJURFO/bizarrecrop2.jpg Bizarre Magazine https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466946345619-SXUXILSL8GIM7AAJURFO/bizarrecrop2.jpg Bizarre Magazine https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461411044026-X0K97FGGB0EJQMI12WLU/bizarrecrop2.jpg Bizarre Magazine https://www.bertgilbert.co.uk/musings daily 0.75 2016-10-19 https://www.bertgilbert.co.uk/musings/2016/10/19/aj1c4m0kewzu28vie4neol7vxlt07n monthly 0.5 2017-01-02 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1483372632854-Y5JL5G8D5KWZE9LX9TZF/Screen+Shot+2016-10-19+at+22.25.55+copy.jpg MUSINGS - PETSHOP BOYS DISCO HATS THE HATS BERT GILBERT MADE IN ACTION https://www.bertgilbert.co.uk/musings/2016/9/22/bsmt-group-showw-8-october monthly 0.5 2016-09-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1474549821919-J95MG2MEQDD0LF3T3XJH/image-asset.jpeg MUSINGS - BSMT GROUP SHOW 8 OCTOBER https://www.bertgilbert.co.uk/musings/2016/5/7/pageshe-pin-up-video-portrait monthly 0.5 2016-05-15 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463351942855-XD4BSFFVUORENQ2VD9VD/Photo%3A+Wig+Worland MUSINGS - Page She PiN UP Video Portrait Photo Wig Worland https://www.bertgilbert.co.uk/musings/2016/5/2/we-are-broadway-market-interview monthly 0.5 2016-05-02 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462230602334-I3FI7IW2XOU9Q6ZC04R9/image-asset.png MUSINGS - we are broadway market interview https://www.bertgilbert.co.uk/bbc daily 0.75 2017-01-12 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262646198-GSDWO6TVCB8ZIFBHK485/petshop2.jpg PET SHOP BOYS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262646198-GSDWO6TVCB8ZIFBHK485/petshop2.jpg PET SHOP BOYS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462107823575-8KPOGYND89QCZ8XKX33Q/BERTPETSHOPMEN.jpg PET SHOP BOYS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462107833229-HNVTIKXT9NHUCXCFOUMX/PET+1.jpg PET SHOP BOYS https://www.bertgilbert.co.uk/new-gallery-79 daily 0.75 2016-05-08 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462231032160-49IVPETSWRBZZD3ATQRR/graphics+international+web.jpg Graphics International https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462231032160-49IVPETSWRBZZD3ATQRR/graphics+international+web.jpg Graphics International https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462231054097-NVZJKJSMDFPCXAF2CB74/graphics+international+web.jpg Graphics International https://www.bertgilbert.co.uk/new-gallery-52 daily 0.75 2017-01-15 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461930695363-SUSLDO389ORS1YMDWKZ0/image-asset.jpeg Dick Free London - DICK FREE LONDON https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461930695363-SUSLDO389ORS1YMDWKZ0/image-asset.jpeg Dick Free London - DICK FREE LONDON https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462230886055-TF6X3VDGR8AL8D31ZTU0/Dick-Free-London_rubber-stamp.jpg Dick Free London - Self Inking Dick Stamp https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462230895126-VGV38LFNY4I205CLBBMK/Dick-Free-London_stamp.jpg Dick Free London - Dick Branding iron https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466262312949-ZDY5VHGX5ES7UJ82CV2I/LOBSTER-FINAL.SCAPEGOAT.gif Dick Free London - The Scapegoat : Psychoactive Plant lord Digital Gif 2014 https://www.bertgilbert.co.uk/london-live daily 0.75 2016-05-08 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462231330671-RSOBTD6H7E0K1RT5OEZ9/IMG_9442.jpg London live https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462231330671-RSOBTD6H7E0K1RT5OEZ9/IMG_9442.jpg London live https://www.bertgilbert.co.uk/media daily 0.75 2026-06-22 https://www.bertgilbert.co.uk/new-gallery-3 daily 0.75 2026-05-21 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779364633925-U4I9715PR8R7ITN2D0V3/Bert-and-her-creations-15686.jpg THE FOUR SKINS OF THE APOCALYPSE - Third eye suit, Ziggurhat and Pineal wand. 2016 Performance still : Silk, wood, fiberglass, digitally printed lyrca, gold leaf, foam and crystal https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779364633925-U4I9715PR8R7ITN2D0V3/Bert-and-her-creations-15686.jpg THE FOUR SKINS OF THE APOCALYPSE - Third eye suit, Ziggurhat and Pineal wand. 2016 Performance still : Silk, wood, fiberglass, digitally printed lyrca, gold leaf, foam and crystal https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461868061375-6R18GVUVUTDHJGI9HM3Z/Bert-and-her-creations-15501.jpg THE FOUR SKINS OF THE APOCALYPSE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1492462518258-AACD4SOT7L5R2FYN8KSC/image-asset.jpeg THE FOUR SKINS OF THE APOCALYPSE - The Necro Suit https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1492462413261-NT2AII35YZ72RFCP9MWQ/image-asset.jpeg THE FOUR SKINS OF THE APOCALYPSE - The Pineal Skinsuit https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1483364345572-0HI9ZCEGMLLUNM003D9Z/Bert-and-her-creations-15646.jpg THE FOUR SKINS OF THE APOCALYPSE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461868089093-2VKJZ8FU93JVIEAT9WED/Bert-and-her-creations-15562.jpg THE FOUR SKINS OF THE APOCALYPSE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461868106884-FMS3W5I7RHOO3RS7EHWN/Bert-and-her-creations-15605.jpg THE FOUR SKINS OF THE APOCALYPSE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461868014856-XDD4H5QR3K2IZJLMJX8D/Bert-and-her-creations-15343.jpg THE FOUR SKINS OF THE APOCALYPSE - Second Skinsuits : Viper https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1492466457607-9LDAHZ4PL211ZANHQ7IX/image-asset.jpeg THE FOUR SKINS OF THE APOCALYPSE - The Viper https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461868012302-PURN7W8OTOI7VTWVHRPG/Bert-and-her-creations-15371.jpg THE FOUR SKINS OF THE APOCALYPSE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461868138468-DIVMNG1PP7QFRTAWNUJQ/Bert-and-her-creations-15724.jpg THE FOUR SKINS OF THE APOCALYPSE - Peyote Man 2016 Performance still: Silk Fiberglass, watercolour, digitally printed lycra, glue , plastic Photography Wig Worland https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461868153250-NKHJIVH2GX5VLMT8XOY1/Bert-and-her-creations-15866.jpg THE FOUR SKINS OF THE APOCALYPSE - MAEDNES MEDUSA 2016 Performance still: silk, pen, watercolour, digitally printed lyrca https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461868152454-YD6S636X0J4UEMHBBHNX/Bert-and-her-creations-15928.jpg THE FOUR SKINS OF THE APOCALYPSE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461931983686-NR9U1GLA8ISFPGS6WV8M/skin+tile+smaller+2015+new.jpg THE FOUR SKINS OF THE APOCALYPSE - SECOND SKINS : NECROSUIT PRINT https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463360373959-BYJ4P51TBGK0KYVN76RF/CACTUS+CATSUIT+BODY+FRONT.jpg THE FOUR SKINS OF THE APOCALYPSE - SECOND SKINS : PEYOTE MAN WITH FLY OMBRA https://www.bertgilbert.co.uk/ritual-activist-tools daily 0.75 2016-05-08 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456132748925-G9Y4EA91XZJKDUCIRJFT/Bottom-Blushers_Love-900x900.jpg RITUAL ACTIVIST TOOLS - Ritual activist tools : The Bottom Blushers/ Tough love hand Hand painted and embroidered leather and wood, used in guerrilla happenings " God Spank The Queen " Originally commissioned by Sam Roddick of Coco de mer and used by Marilyn Manson. Gilbert sees these "helping hands" as a antidote for modern life's tediousness and blandness. "Death before dullness" was the war cry used on mass when guerrilla spankings were held on the streets: "God Spank the queen or in some cases " God spank the Police " she sees these Monthy Python esq spanking hands as tools of activism , giving the user the unusual power of connection and corporal punishment via spanking the general public.. a modern flogging tool in the guise of british smut. https://www.bertgilbert.co.uk/roisin-murphy daily 0.75 2017-01-15 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462743484370-LJIWRAJY6DCM6D0ONKWM/Screen+Shot+2016-05-08+at+22.36.10.png ROISIN MURPHY - The Bottom Blusher and Roisin Royal Albert Hall https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462743484370-LJIWRAJY6DCM6D0ONKWM/Screen+Shot+2016-05-08+at+22.36.10.png ROISIN MURPHY - The Bottom Blusher and Roisin Royal Albert Hall https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462743521325-Z7UVZURV65TYRTVI4NQK/Screen+Shot+2016-05-08+at+22.36.22.png ROISIN MURPHY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462743534088-SEY8TM61EFLGAG9V0LCP/Screen+Shot+2016-05-08+at+22.36.40.png ROISIN MURPHY - Ear me now mask Worn by band members https://www.bertgilbert.co.uk/baptism-by-fire daily 0.75 2026-05-30 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780152548274-6Z443O3QAO3MFCB9VHFJ/mirrormirror.jpg BAPTISM BY FIRE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780152548274-6Z443O3QAO3MFCB9VHFJ/mirrormirror.jpg BAPTISM BY FIRE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458078086222-O2YS2WS464W74QRXDH37/blood+oragn+web.jpg BAPTISM BY FIRE - Initiation : Baptism by Fire 2013 : The Alchemy Salvaged drawings from house fire, water from fire hoses, ash, blood and salvia. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458078448023-9MS2VVX12XQX8L7FHNAQ/DEST3638.jpg BAPTISM BY FIRE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458078260838-A0JZJG6JTHQY3E645F8P/DEST3637+copy+ADJJUSTED.jpg BAPTISM BY FIRE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548262340820-T3HMDG7SOQ6BUZBWMJJB/B-2+MUSHROOM+MEN.jpg BAPTISM BY FIRE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548262344241-OCO1GZKFKYI7RAX2L683/B-10+STOMACH+ORCHID.jpg BAPTISM BY FIRE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548265637641-5VVQAGTDTQ2CXTW0R6MH/B1-6+stomach+plant.jpg BAPTISM BY FIRE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548265741053-ZZAB1I6SZQM0QULIWHMG/B-8+BLOOD+FONT.jpg BAPTISM BY FIRE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458065232463-B5QK462T3RG7L793982L/berts+inferno+%289%29.jpg BAPTISM BY FIRE - Image of where the drawings were found   https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1458167014203-FRM2NEHP959S5MUFCJNE/image-asset.jpeg BAPTISM BY FIRE - The Remains 01. Photographic print https://www.bertgilbert.co.uk/the-bottom-blushers daily 0.75 2022-09-11 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466934815262-6GU573CTXZH2T0F853RA/12.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466934815262-6GU573CTXZH2T0F853RA/12.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456132744323-9XQ66WUUMLH4TWONVSNC/Bottom-Blushers_El-Diablo-900x900.jpg THE BOTTOM BLUSHERS - Bottom Blusher: El Diablo Hand painted, embroidered leather and wood. "God Spank the queen” : a series of guerrilla street spankings held on London streets. A disruptive flogging tool in the guise of british smut. Commissioned by Sam Roddick of Coco de Mer and used by Marilyn Manson.   https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456132748925-G9Y4EA91XZJKDUCIRJFT/Bottom-Blushers_Love-900x900.jpg THE BOTTOM BLUSHERS - Ritual activist tools : The Bottom Blushers/ Tough love hand https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456132743328-2ZPT3X3ZIX09GU5O4V8N/Bottom-Blushers_Bone-Shaker-900x900.jpg THE BOTTOM BLUSHERS - Bottom Blusher: Bone Shaker https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1454357000517-WN17HUXJ0SQN5JSLJVY5/God-Spank-The-Queen_logo.jpg THE BOTTOM BLUSHERS - Ritual activist tools : God Spank the Queen https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456132759179-M6UIMRCV2ETVWH2ALRDM/Bottom-Blushers_Tattoo-900x900.jpg THE BOTTOM BLUSHERS - Bottom Blusher: Tattooed enforcement https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262681463-9M729KY7JIF0F44N8HRR/4.5.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456132754559-VGFFAFQHPQTBNOA989XD/Bottom-Blushers_Screen-900x900.jpg THE BOTTOM BLUSHERS - Bottom Blusher: Workwear hand https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456132762802-LAR3YD27W4BX02P645GW/Little-Spankers_El-Diablo-900x900.jpg THE BOTTOM BLUSHERS - Little Spanker: El Diablo https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1456132755602-K80ZQOPV2YCWM9YVV7WB/Bottom-Blushers_Luck-900x900.jpg THE BOTTOM BLUSHERS - The Little Spanker: Luck https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262787619-MSB1FBHNUF8JMFE1TLTB/image-asset.jpeg THE BOTTOM BLUSHERS - GOD SPANK THE QUEEN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262694791-IXHX7PJ7Z2SXNJ7V958E/17.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262318461-TM589T83X8WN6FQAUZ40/NG_BB-2.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262491690-52IY0RWXK2M8ZT3JD1CX/NG_BB.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484263054053-CE6SZM2K8YCG65U2U3QZ/NG_BB2494.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262643333-GUAYQCUQZT7NUDN9YB7B/NG_BB2476.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262028268-WHDR1CBRPC1MN5KVIQOZ/0.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662906990838-SSKFUMPEHZEP1A48XS42/God-Spank-The-Queen_Tate.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262652437-MFG6Q06N4NCKMYAUSPLN/DSC_0474.jpg THE BOTTOM BLUSHERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1484262693616-E5CVZ427QTNFEOCM6F48/11.jpg THE BOTTOM BLUSHERS https://www.bertgilbert.co.uk/shadows-of-my-former-shelf daily 0.75 2026-06-05 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780643567792-TFJIHA0MRX3TC8EK99DS/shadows+of+my+former+self.jpg SHADOWS OF MY FORMER SELF / WRESTLING WITH MY INNER DEMONS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780643567792-TFJIHA0MRX3TC8EK99DS/shadows+of+my+former+self.jpg SHADOWS OF MY FORMER SELF / WRESTLING WITH MY INNER DEMONS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1476904113464-SMJEAZACK7ACUFUFOS3O/6T9C9160WEB.jpg SHADOWS OF MY FORMER SELF / WRESTLING WITH MY INNER DEMONS - 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Designed and produced 10 eyeball roses. 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FIG II : INSTRUCTIONS FOR USE / THE THIRD SPACE Ink on cartridge paper 42×29.7 cm https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780064446020-W3DWQPDUILKZ7EJ5BDJC/PORTABLE+PORTALS+-+FIG++4+THE+ACTIVAITON.jpg PORTABLE PORTALS : ENTRY POLES TO THE THIRD SPACE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611152467448-BXNI6FLLU2FLC1M7D41E/Reset-point.jpg PORTABLE PORTALS : ENTRY POLES TO THE THIRD SPACE - Entry pole III : #ERECTIONPOINTS INSULATION FOAM, FIBERGLASS, CHAMELEON PAINT, STEEL BASE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548185898435-BPESC10ZC5XKJMU2FE1T/furpole+brghtfrpole+brighter.jpg PORTABLE PORTALS : ENTRY POLES TO THE THIRD SPACE - Entry pole I : A Tail To End All Tales INHERITED DYED FOX TALES, GOLD LEAF, CARDBOARD, INK, LEATHER, AGUA FLORIDA , PALO SANTO STEEL TRIPOD. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548194125770-3LXFTIFNSPXXB4QD29GZ/fur-crop.jpg PORTABLE PORTALS : ENTRY POLES TO THE THIRD SPACE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548186563758-48NEWIOZ383H345OX2RQ/4+portal+portals.spring-flower.2017-bert-gilbert.jpg PORTABLE PORTALS : ENTRY POLES TO THE THIRD SPACE - 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STUDIO SHOW https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1526158735787-ZPNPKCV0CTE6T5ICV112/did+you+eat+1.jpg DID YOU EAT YOKO ONO? STUDIO SHOW https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1526158613989-R6NA24VLEO76EIZI5C0W/did+you+eat+1.jpg DID YOU EAT YOKO ONO? STUDIO SHOW https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1527968070452-P3PT4IOIC9Z0HS1EYXVW/PHOTO-2018-05-17-18-04-47-2.jpg DID YOU EAT YOKO ONO? STUDIO SHOW https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1526158655196-QURE3BBXF29YMZCUXQPB/LARGEGIF.gif DID YOU EAT YOKO ONO? STUDIO SHOW https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1527968265041-7SWYJ4NBD9RACV8VON3W/Furka_180329000000050004_R_C_B_a2+copy.jpg DID YOU EAT YOKO ONO? STUDIO SHOW https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1527968276907-JKM44LTNO8U1V417S77P/Furka_180329000000050002_R_C_B_a2+copy.jpg DID YOU EAT YOKO ONO? STUDIO SHOW https://www.bertgilbert.co.uk/the-record-keepers daily 0.75 2026-05-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548198139883-W9MATMZX4X5Q0NYCQ152/the-record-keepers-crop.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548198139883-W9MATMZX4X5Q0NYCQ152/the-record-keepers-crop.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548200048772-FZ73EB3NZ8OX6HN87FBB/the-record-keepers.jpg THE RECORD KEEPERS - The Record Keepers: Portable Light Portal 2018 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779371836018-TZJK35A77NSV6WO96BOS/IMG_7916-ok.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779372837123-WVQ2CIHSYGP6V8KUF28I/IMG_7922-ok.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1638816633359-HTOEQUC8LLR31FHGHJLA/IMG_6931web.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548205710887-H5XTK47ARFC9HTRDFW9T/golden%2Bfleece%2Bcrop%2B3.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1638816205940-ZY9L83NW356NO719FJBN/IMG_6950web.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548202224061-NVM4D1UYUFIIZTHTFSEQ/animata%2Bmuscaria%2Bcrop.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1638816647338-0VD1Q37QVSP36S68WEXD/IMG_6943web.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548202132289-R933KO39HLZ0U5LDDCVC/eyeline%2Bcrop%2B6.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1638816657316-3RV1503NDBPRJGKZDCEZ/IMG_6955web.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548202176720-SU61P4OVEX5HIGA3WVSV/eyeflower%2Bcrop%2Bcopper.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1638816642241-U0V756YG4ZWSHLNSE967/IMG_6938web.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548198767583-22LWER4A24VBROAH64JK/eyeflower+detail2.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1638816637804-R09HQ0FXX1YP2VVLU0ZZ/IMG_6935web.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548205517682-HX2KFWUUC09N7D9BKN0P/eyeline%2Bgrey%2Bcrop2.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1638816663173-1K6RYAWMLRJ87TQJHGGC/IMG_6960-web.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662893175035-1YOGIWF36VYMSKCCIEDU/shrouded%2Bskin.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548201716243-Y0SNENH6RGFW7NQCKJUD/cactusskin.jpg THE RECORD KEEPERS - VII. 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The Book of Black by Faye Dowling Featured work in this book exploring the power of the gothic in visual culture, https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548246734828-F5PYT5KB1THO5D6J2T2A/Screen+Shot+2019-01-23+at+12.21.50.png The Book of Black - The Book of Black by Faye Dowling Featured work in this book exploring the power of the gothic in visual culture, https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548246177725-KW1GT96M74WJ5E4RKCB1/The+Book+of+Black_BertGilbert_Page_1.1.jpg The Book of Black - Forest Television/ The Scapegoat 2014 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548246192247-PEIJ0N4EL35AI84VCEQE/The+Book+of+Black_BertGilbert_Page_2.1.jpg The Book of Black - Medusa Finger Snakes 2016 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548246224367-WN0P0DKFTMJK9WS4QDGU/The+Book+of+Black_BertGilbert_Page_3.1.jpg The Book of Black - Alchemical Oyster Serr and Oyster Pearl 2016 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548246203741-SQ1LKU6ZO0G8RJMOHHI5/The+Book+of+Black_BertGilbert_Page_4.1.jpg The Book of Black - 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C-Type print https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548196299741-BF8H3PQNDNW8DQ82QPG3/Screen+Shot+2018-07-23+at+21.15.35.png New Gallery - BLACK RITE: Performance @ Space, Hackney 2018 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548197772366-NA8DRIQD0B529BJIQIU3/FURKA3.-2018copyright-Christopher-Sims.jpg New Gallery https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548197791528-WEAK4K63PILZAM027R12/FURKA4copyright-Christopher-Sims.jpg New Gallery https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/5c47952af950b772a6403a40/6a2283de86880050e0feea92/1780646958942/ New Gallery https://www.bertgilbert.co.uk/trebuchet daily 0.75 2026-06-02 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1663020096878-NYC232KWZ23Y1DUECVZQ/IMG_4173.jpg TREBUCHET https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1663020096878-NYC232KWZ23Y1DUECVZQ/IMG_4173.jpg TREBUCHET https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780383328649-1VCC6K7AJKVODWXVCHI2/Screen%2BShot%2B2018-09-01%2Bat%2B11.55.09.jpg TREBUCHET https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548203820757-CNMREZJ9XHQN317MTKO2/Screen%2BShot%2B2018-09-01%2Bat%2B11.55.17.jpg TREBUCHET https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780383373262-D58C7E7FF1II8ZLFYJLI/Screen%252BShot%252B2018-09-01%252Bat%252B11.55.28.jpg TREBUCHET https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780383563254-W019ESKKKCT5JB9AZGH7/Screen%2BShot%2B2018-09-01%2Bat%2B11.55.34.jpg TREBUCHET https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780383606107-JSYAG6G94Q4Z4THAH3E2/Screen%2BShot%2B2018-09-01%2Bat%2B11.55.40.jpg TREBUCHET https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548203644703-SE5EUFASUHPVUWBA414A/Screen+Shot+2018-09-04+at+20.34.26.png TREBUCHET https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548203628637-KBAVI66F0CGAVNPUB53X/Screen+Shot+2018-09-01+at+11.56.25.png TREBUCHET https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548203626549-L8T2SQY32SXYH0ZS751M/Screen+Shot+2018-09-01+at+11.56.13.png TREBUCHET https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1548203643491-OGA2KVH8NZKMA9CDB4U3/Screen+Shot+2018-09-01+at+11.56.32.png TREBUCHET https://www.bertgilbert.co.uk/sky-portals daily 0.75 2026-06-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779531385296-BT1WI75IHSSWI9TMZD4N/Sensoring%2BThe%2BSky%2BPortals%2B-%2BBert%2BGilbert%252C%2B2019-22.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779531385296-BT1WI75IHSSWI9TMZD4N/Sensoring%2BThe%2BSky%2BPortals%2B-%2BBert%2BGilbert%252C%2B2019-22.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1560628467910-Y2HJPMMZ70A96UKCUGTE/2e2cef04-703a-49a0-9adc-fc9a0beb6fad+%281%29.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1559665688846-B67AZ6PKS4F9IDW6H65Y/INVITATION+POSTER+%5BBERT+ADD%5D-01.png Sensoring : The Sky Portals - Sensoring : The Sky Portals Sensoring: The Sky Portals - Bert Gilbert, 2019. The Sky Portals are part of a series of sensory artworks, developed from Gilberts preceding work ‘Portable Portals’,further dramatising in psychiality the premise of the Axis Mund - or the connection between Heaven and Earth. Following Louise Bourgeois’s counsel to "look up for inspiration", Gilbert’s “Sky Portals” or more playfully titled “Furescos”, (paintings made from inherited offcuts of hand dyed fur) turn the ceiling of the gallery space into a quivering skyscape. They shift the focus of the gaze away from grounded and pictorial concerns, beckoning the mind to lose itself in realms of reverie and wonder. The oval representing the sacred geometry of the The Vesica Pisces, a conduit between the celestial and the terrestrial. These “Furescoes”, recalling the religious and renaissance paintings of celestial bodies found in grand palazzos, churches and temples, operate as contemporary installations, offering a way back to otherwise mysterious realms- to the metaphysical background of the world; the invisible, the unsaid, the felt. A world of magic and mayhem, a portal to perception, a hypnagogic dreamscape. Gilbert sees the artist as a sensor/sense organ, the first line of defense – sending outputted information to the hive mind of the collective. ‘I sit and make the portals, soft fur quivers in the breeze: Antennae to the airwaves around, picking up each inflection, alive again. An extension of expression, my senses, my sensitivities, my emotion output. An emotional landscape of all trigger points, reflections, wounds; past, present and future griefs.” https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1560628466141-TPKQ8HDYJPKABIUBIQA7/IMG_1496.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1560628717281-P0NTWUFXPAHB6W42PQU1/38ef8770-12fa-4696-af85-4f48e20e4db3+%281%29.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1560628485415-Q7XQJS8FSL61J1KYWXSN/3d7d8e9c-d335-4235-9d35-2108fa7fb420.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1560628840227-317HUU60PSXNFPHPPS0C/577a2448-9994-4e20-a2d5-0ac10dc7d4eb.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1560628586065-WSSE8RZIXAYLIBSI9UJE/f45d8b4f-8953-4ab2-8d36-00193a3d29fe+%281%29.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1560628779215-9OMVPSKOA17VUBCTDRHN/2e9cba00-015b-42cb-8815-0cc7bd49f986.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1560628685884-IVQ8JMO85WIPCV143T1M/IMG_1438.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1560628528030-TRF4OELOOH41XD2FTV1U/0343F59D-4FE2-461E-A8B8-AAB1D9C4313A.jpg Sensoring : The Sky Portals https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1560628554630-8OUV6K7F983Y6PJ3622P/2993C022-642A-4F51-A79E-8384AFAC690B.jpg Sensoring : The Sky Portals https://www.bertgilbert.co.uk/sensoring-sound-mapping-the-invisible daily 0.75 2026-05-30 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611149382822-547YWSC5L9CS6QNSSGPJ/image-asset.jpeg Sensoring Sound : Mapping the Invisible - green mesh test 2019 (1) https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611149382822-547YWSC5L9CS6QNSSGPJ/image-asset.jpeg Sensoring Sound : Mapping the Invisible - green mesh test 2019 (1) https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611149576165-H3UJ9ZLFT3WCPN32IRFA/bert+gilbert+portal+tests+_Page_05.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146052204-QXPN9877XA3JTMEMXAEH/bert+gilbert+portal+tests+_Page_07.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146033950-20QOGB5V4ZB07X2CPFMY/bert+gilbert+portal+tests+_Page_02.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146039583-4QJCFNYTXXTE1CMGMR21/bert+gilbert+portal+tests+_Page_06.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146035893-3571ILE1KA0B9HTGA4ZZ/bert+gilbert+portal+tests+_Page_03.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146047306-4PVPY4PHQGY8J2R3OU0O/bert+gilbert+portal+tests+_Page_08.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146033952-VBJXX00YOUER49Y11AN2/bert+gilbert+portal+tests+_Page_01.jpg Sensoring Sound : Mapping the Invisible - Sensoring Sound: Mapping the Invisible ----Work in progress See online hub and soundscape test at https://hubs.mozilla.com/asSBydv/bert-gilbert https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146065402-E621B6ICK9Z0W8JISZTB/bert+gilbert+portal+tests+_Page_13.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611148617378-HO6YTYXG85CATTDFXJQZ/image-asset.jpeg Sensoring Sound : Mapping the Invisible - portal test 2021 mal 2 Work in progress 2019-2021 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146052985-QEXL20P6868YL0LWIOEW/bert+gilbert+portal+tests+_Page_09.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146056833-PO625UKS1OE15JKNIDVS/bert+gilbert+portal+tests+_Page_10.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611148796040-2J5ZIGI1UWFLL0J1LOLO/image-asset.jpeg Sensoring Sound : Mapping the Invisible - Sensoring Sound : Test 1 / Mapping the Invisible 2020 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146061455-8YNZFCWEFT099H4KY3RY/bert+gilbert+portal+tests+_Page_11.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1611146061954-PGE35CHC5290D9IPRVJM/bert+gilbert+portal+tests+_Page_12.jpg Sensoring Sound : Mapping the Invisible https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662897809209-HQNZ8BV4CW3ORF25GS6T/bert+gilbert+portal+tests+_Page_04.jpg Sensoring Sound : Mapping the Invisible - MozilLa VR HUB TEST: MULTIMEDIA ENCOUNTERS EXPERIMENTAL APPROACHES TO ETHNOGRAPHIC RESEARCH https://www.bertgilbert.co.uk/as-above-so-below-so-below-so-above daily 0.75 2026-06-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1729760413471-HC901S26BWVL1WOJZZGP/image-asset.jpeg Paper Portals 2020-2023 Paper Portal VII : Lava Medusa: Don’t Panic , it’s Vplcanic insoired by the Omni Cover by Doug Webb “ The Greenhouse Effect: Apocalypse now or Chiciken little “ 1991 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634513236437-G7NQ8LDOD8ZNPERO5RIU/ASABOVE-b.gilbert-web.jpg Paper Portals 2020-2023 - Paper Portal I : As Above , So Below. 2020 Drawing upon Athanasius Kircher’s Mundus Subterraneus, “Paper Portal I: As Above, So Below” transforms water from simple substance into mythic passage an elemental boundary and connector at once. The central motif, the Vesica Pisces, channels the sacred geometry underlying springs, rivers, and tides, acting as a portal between worlds much as water itself mediates cycles of purification, migration, and renewal across cultures and epochs. Conceived during the profound global stasis of 2020 and and ongoing series, these intricately inked drawings invite viewers beyond visual contemplation into immersive, ritualistic experience. Each portal pulses with sonic activation, co-created with musician Gil De Ray. The enveloping drone baths, weave frequencies and hand-crafted instruments of spiritual defence -delicate delta waves, ethereal angelic tones, and shimmering quantum pulses into a sensorial vortex. This sonic landscape invites reflection on water’s ambivalent nature: a force at once nurturing and destructive, luminous and mysterious. She calls them “oracle chambers’ inspired by the Greek incubation temples where priests would guide seekers into deep states of dreaming. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1729760413471-HC901S26BWVL1WOJZZGP/image-asset.jpeg Paper Portals 2020-2023 Paper Portal VII : Lava Medusa: Don’t Panic , it’s Vplcanic insoired by the Omni Cover by Doug Webb “ The Greenhouse Effect: Apocalypse now or Chiciken little “ 1991 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1770197540611-M92ZI9USSPAFH84ES0UP/as-below-so-above-working-1-web.jpg Paper Portals 2020-2023 - Paper Portal II: As Below, So Above (2020) “Paper Portal II: As Below, So Above” reworks Major J. F. C. Fuller’s occult painting The Portal of the Second Order, translating its esoteric charge into a dense, ink-drawn ideogram that fuses hermetic geometry, visionary symbolism, and somatic unease. In Gilbert’s hands, the portal becomes an interior architecture of initiation: the vesica structure crowded with teeth, seeds, tendrils, and radiating forms that oscillate between cellular, astral, and underworld imagery. Activated by an accompanying drone soundscape, the work functions as a dark oracle chamber. The soundtrack built from delta undertones associated with deep sleep and the unconscious, planetary frequencies (Mars, Moon, Saturn), and the crown chakra, thickens the drawing into a mesmeric, oppressive atmosphere.and frames the portal as a psychospiritual descent: a confrontation with shadow, hungry ghosts, and the residue of ritual power. Within Gilbert’s broader cosmology of portals , Paper Portal II marks a passage through the chthonic and the alchemical “below,” where order and disorder interlace. It extends historical occult lineages (Crowley, Fuller, ceremonial magic) into a contemporary, trauma-attuned language, inviting viewers not simply to observe but to endure and traverse the drawing as a threshold, moving through fear, density, and dissonance toward a reconfigured “above,” where perception and myth are irrevocably altered. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634512514288-ISPMFAOMJ7POI027SCFH/earthworm-bert_.jpg Paper Portals 2020-2023 - Paper Portal III : Earthworm Root Portal “Paper Portal III: Earthworm Root Portal” reimagines the medieval illumination Alchemical Tree by the Spanish theologian and mystic Ramon Llull, translating his vision of the philosophers’ stone into a contemporary axis mundi. Here, the world tree becomes a sentient conduit between cosmos and soil, its roots entangled with proliferating earthworm-serpents that script an underworld cosmology of decay, nourishment, and rebirth. The drawing is activated by a grounding soundscape tuned to root and earth frequencies (396 Hz, 126.22 Hz, 174 Hz, and the Schumann resonance of 7.83 Hz), composed as a toroidal loop that moves from internal to external, light to dark, across multiple dimensions. Within Gilbert’s larger series of portals, Earthworm Root Portal focuses on the humble earthworm as alchemical agent: a creature that digests ruins and returns them as fertile ground. The work invites viewers to inhabit the threshold between above and below, sensing how touch, gravity, and flight co-exist in a single, looping system, a somatic meditation on transformation where the most elemental life forms hold the key to planetary and psychic renewal. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779440935639-5YNA92TTVTKFJREYRSMT/EYGPTIAN-CLIT-COIN-october-flat-final%2Bdarker.tif.jpg Paper Portals 2020-2023 - Paper Portal IV: The Holy Mountain and Egyptian Clit Coin “Paper Portal IV: The Holy Mountain and Egyptian Clit Coin” reworks Raphael Custodis’s 1616 engraving The Holy Mountain of Initiation into a vesica-shaped oracle architecture. The stepped mountain becomes a vulvic threshold guarded by winged forms, while a phoenix crowns the composition, rising from storm-clouds as an emblem of ecstatic survival and rebirth. Flanking Egyptian arms hold a feather and a heart, echoing the psychostasia of the afterlife, an ongoing weighing of deeds that determines the souls passage through the otherworld. The piece is sonically activated by the track “The Vesica ( made in collaboration with composer Colin Ross Waterson which functions as an incantory poem of Parmenides, spoken in ancient greek. Built from theta undertones and planetary/energetic frequencies (Venus, Neptune, sacral ), the soundscapes is part temple, part sex-magick crypt. References to Lilith, Isis, Inanna’s descent, the Melissae, kundalini, and the heartbeat fold into a single vibratory field where eros, initiation, and death coexist. Within Gilbert’s wider series of portals, this work stages the holy mountain as an ecstatic, explicitly erotic site of judgement and transformation. It invites viewers to step into an oracle chamber in which heart, fire, water, and touch become instruments of knowledge where the path “up” the mountain is also a movement inward, toward a feral, embodied sovereignty that refuses the separation of sacred, sexual, and political power https://music.apple.com/gb/album/the-vesica-feat-bert-gilbert-single/1769570151 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1689435107869-RJ2AP7HQHNG75YI04ECF/zodiac+final+grayscale+web.jpg Paper Portals 2020-2023 - Paper Portal VI : The Zodiac Maiden 2023 Ink on paper activated with soundscape. “Paper Portal VI: The Zodiac Maiden” reimagines the fifteenth-century illumination Anatomical Zodiac Man from the Très Riches Heures du Duc de Berry as a feral, post-mystical body-map. The classical figure, once a didactic diagram of humoral influence, Zodiacal forces no longer rest passively upon the body; they surge through it as serpents, claws, and teeth, agents of initiation rather than obedience. Recast as a charged, androgynous figure suspended in a cracked, radiant mandorla, their genderfluid body is laced with serpentine nerves and roots. Around them, a ring of glyphs, eyes, and fiery coils turns the zodiac chart into an occult shield: a site where fate is confronted rather than meekly endured. reclaimed as an ecstatic, wounded heroine whose flesh becomes a site of astrological inscription, rage, and divine recorrection The work is sonically charged by a gamma-range soundtrack tuned to planetary and energetic frequencies (Uranus, Moon, Mars, Jupiter, throat and sacral centres), composed with Christos Tejada as a “oracle chamber.” Within this sound field, references to Lilith, Inanna’s descent, shadow, grief, and revenge surface as stifled screams and swallowed light. Texturally crystalline yet grimy, blood, sweat, tears, fire, and air, the piece stages the Zodiac Maiden as both victim and avenger, a body that refuses to remain a passive diagram and instead becomes an alchemical engine where shame is burned off, voice is reopened, and destiny is rewritten in her own volatile, golden script. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1639830226759-8BRH1Z33JAMIJXJU2XYH/dark-constellation-web.jpg Paper Portals 2020-2023 - Paper Portal V : Dark Constellations and the Seven Sisters 2021 Paper Portal V: Dark Constellations and the Seven Sisters” reimagines J. A. Knapp’s illustration of the Philosophers’ Stone from Manly P. Hall’s The Secret Teachings of All Ages, recasting it as a crystalline vesica suspended in a sky of esoteric cartographies. At its centre, the Pleiades or Seven Sisters, pulse like a stellar heart, while around them spiral the Dark Constellations of the Likan Antai people of the Atacama Desert, where meaning is found not only in the stars but in the shadows between them. The drawing is activated by a soundscape composed by Gil De Ray tuned to gamma and higher-consciousness frequencies (999, 555, 1074 Hz, and 207.36 Hz for Uranus), interlaced with undulating sparks, whale-like calls from the deep. It echoes of Inanna’s descent, the Fates, and the Akashic archive framing the portal as a zone of heightened perception, where problem-solving awareness, ancestral memory, and speculative cosmology fold into each other. Within Gilbert’s wider series, Dark Constellations and the Seven Sisters functions as a star-gate of cross-cultural astronomy and myth: an axis where earth and light, heart and fire converge. It invites viewers to stand inside a field of overlapping cosmologies, occult Western alchemy, Andean sky-knowledge, and to experience the night sky as both archive and oracle, mapping possible futures as much as forgotten pasts. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779441014655-9T9HYSQPLPM8PHAMKZAZ/zodiac%2B1st%2Bpass%2Bgrayscale%2B1.jpg Paper Portals 2020-2023 - Paper Portal VI : The Zodiac Maiden 2023 The Zodiac Maiden reimagines the fifteenth-century illumination Anatomical Zodiac Man from the Très Riches Heures du Duc de Berry as a feral, post-mystical body-map. The classical figure, once a didactic diagram of humoral influence, Zodiacal forces no longer rest passively upon the body; they surge through it as serpents, claws, and teeth, agents of initiation rather than obedience.recast as a charged, androgynous figure suspended in a cracked, radiant mandorla, their body laced with serpentine nerves and roots. Around them, a ring of glyphs, eyes, and fiery coils turns the zodiac chart into an occult shield: a site where fate is confronted rather than meekly endured. reclaimed as an ecstatic, wounded heroine whose flesh becomes a site of astrological inscription, rage, and divine recorrection The work is sonically charged by a gamma-range soundtrack tuned to planetary and energetic frequencies (Uranus, Moon, Mars, Jupiter, throat and sacral centres), composed with Christos Tejada as a greenhouse-hot “oracle chamber.” Within this sound field, references to Lilith, Inanna’s descent, shadow, grief, and revenge surface as stifled screams, swallowed light, and ravenous undertones. Texturally crystalline yet grimy, blood, sweat, tears, fire, and air the piece stages the Zodiac Maiden as both victim and avenger, a body that refuses to remain a passive diagram and instead becomes an alchemical engine where shame is burned off, voice is reopened, and destiny is rewritten in her own volatile, golden script. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1729769710210-2W2WV9U1OPN2CTJEMQVV/image-asset.jpeg Paper Portals 2020-2023 Paper Portal VII : Lava Medusa, Don’t panic, it’s volcanic 2024 The Lava Medusa takes Doug Webb’s Greenhouse Effect, Apocalypse Now or Chicken Little? (1991) as a springboard, translating ecological collapse into a visceral self-portrait as erupting terrain. The central volcano range is Gilbert’s own profile, a mountainous side-view of her face whose single open mouth becomes the crater, spewing ash, smoke, and fire so that breath itself appears as lava and plume. Framed within a vesica of roses, thorns, serpents, and vigilant eyes, the scene reads as both planetary convulsion and intimate psychic rupture. The portal is sonically animated with musician Gil De Ray through frequencies linked to Venus, Mars, Saturn, the Schumann resonance, throat and root centres, alongside Tesla-coded tones of balance and release. The soundtrack feels like velvet, oozing and charged with volcanic rage, grief, and revenge. Screams, low rumbles, and molten surges generate a field where fire, ash, air, and earth collide. Within Gilbert’s wider cosmology of wounds and thresholds, Lava Medusa casts the volcanic face as a mythic engine processing climate crisis, patriarchal violence, and long-silenced speech. The work invites viewers into the blast radius of feeling, where speaking light risk eruption, and where what finally breaks open scorches the earth beneath, the resulting fertile volcanic soil ushers in new creation. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634512333433-F6PPESGFEM7MXVI71RS1/ASABOVE-b.gilbert-web%2B1.jpg Paper Portals 2020-2023 https://www.bertgilbert.co.uk/new-gallery-36 daily 0.75 2026-05-29 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780067523313-0ZWUGM1XALV0CTO4JZX5/2.jpg mIRROR mIRROR https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780067523313-0ZWUGM1XALV0CTO4JZX5/2.jpg mIRROR mIRROR https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634514085002-NUJOT4FYN29JG2DPAC3S/mirror-mirror.jpg mIRROR mIRROR https://www.bertgilbert.co.uk/the-sinistry-1 daily 0.75 2022-09-11 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662890821372-PPI2KVPE629QQTT6JBQM/install_-16.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662890821372-PPI2KVPE629QQTT6JBQM/install_-16.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515556861-MP4AU5KZ9N0MIZ28ZAQ8/install_-57.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515551305-7EFXAA16LLRCQFMLYSBV/install_-7.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515556497-5K4EHCH4UPRHZHPYWXB1/install_-54.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515671809-2IC7D16LWQIFNWKL9EK9/DSC04696.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515672199-T3DWW1FO9WUU7OJP0ZSW/DSC04697.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515711470-VCZA4Q6O0H2Y8U4440E1/install_-10.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515557925-FMLSW880EMML30FVXE8W/install_-61.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515743862-2D69URBQBP6FVPY47W7W/install_-40.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515777145-EBET8343KJ670XHXVP5S/install_-2.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515777137-WWNDCE05SKIVBYBPAWIY/install_-3.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515800876-J2OQ4BEMSC2BJT1S3UTR/image00001+2.jpeg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515831014-VR6XVBWKHSSKEW18UBLY/install_-36.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515805809-VNORYO2UWYF0XNDRVK10/image00002+2.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515831574-CMU1GCDMDFEP2GC5D2UP/install_-41.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515835409-YZD4QS3HSVGEV9MZC6K5/install_-42.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515835856-KHEF0B39Q82F5GJU9XY0/install_-44.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515838239-3WGBCYWEA8FF6G6XXGOP/install_-45.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634516010281-ORQLT3CL8FZZP0OFZO5L/DSC04272.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515909034-GO6KIA1NR0RAKBBAXVAP/install_-33.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515908612-HPGKTDX8DIQAZDT3P6Q3/install_-34.jpg THE SINISTRY https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1634515950996-VHYTXVSBCSXM2CB3A9LN/DSC02760.JPG THE SINISTRY https://www.bertgilbert.co.uk/the-variants daily 0.75 2026-06-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780057307552-R7ECWEYR0KBWHP7Y60X5/1.jpg THE VARIANTS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780057307552-R7ECWEYR0KBWHP7Y60X5/1.jpg THE VARIANTS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662898030907-M0ZAOVE7L6AVM9Q8H0ZS/IMG_2071.jpg THE VARIANTS - The Variant Series 2022 Variant II 2022. Oil paint, inherited dyed fur, canvas. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662896141924-33S4HKH4CFBXQRANKSGB/IMG_2074.JPG THE VARIANTS - The Variants. I, II &III. 2022 Gallery 46, Whtechapel, London. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662896174322-RUG4BEX875S4TP1VQB90/IMG_2093.JPG THE VARIANTS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662895970280-IPPJB6TDVGCCTA4EUFF5/VARIANT+II+%28+WEB%29.jpg THE VARIANTS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662896144034-YHWSNTPMQTYRB3PIU629/IMG_2073.JPG THE VARIANTS - Variant I.2022 Oil Paint, Inherited dyed fur, canvas https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662895963334-GK24UYVXHDH5VCKYCEWR/VARIANT+I+%28WEB%29.jpg THE VARIANTS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780056885553-637P9DGR3UPTEGDA95KN/variant+5+crop.jpg THE VARIANTS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662895981680-EMUELD4N9NDFXP0J6RAW/VARIANT+III+%28WEB%29.jpg THE VARIANTS - Variant III. 2022 Oil paint, Inherited dyed fur, Canvas https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780056993195-347Q4MMTTUEKDMCSVR48/variant%2B4.jpg THE VARIANTS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780056802034-R94R1787WKPA8L3E6OZI/image-asset.jpeg THE VARIANTS https://www.bertgilbert.co.uk/unpolished-magazine daily 0.75 2026-05-30 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662624531162-4GQ85DEORW3T41JSJ0D8/image.jpg UNPOLISHED MAGAZINE - I guess I just wanted to Know How You felt in your skin. Words: by Brit Parks She has made you a net to hook your missing skin. If that won’t suffice she has formed an escape door for one in red stringy fur. Last resort, a black rubber mirror that Dorian Gray would covet. Bert Gilbert seemingly produces at a silent mach-worthy pace. Her hand touches every material as if they were born together. There exists no gap between the delicate embroidery of an eye to the steel bastions of lines to hang anything. Anything. As she does not meditate on materials, she lives with ideas under her skin. I suspect there is little space of consideration to her next object to conquer. She is akin to a bird that molts feathers to change appearance, perhaps to change fluff, perhaps to comfort everyone. She makes a nest for a nest. Sophie Calle asked for permission to lay an empty white dress on Sigmund Freud’s couch. The couch that is now cared for like a king’s abandoned throne. The flat dress is screaming absence for breakfast. He is missing. She is missing. It begs the question of why materialism can strike our hearts with such a concrete blow. Absence is a complexity of I needed you, and now you are air. You find yourself desperately sucking in air. It feels a bit dreadful, the panic of searching. Bert Gilbert is a breathing work of art. I can’t imagine her having that thought. I can, however, imagine her in her heavy British-lilt scolding me for the suggestion. She is not keeping her ego company. She seems to be hell bent on devising a method to keep invisible emotions company. She hand sews what appears to be the equivalent of what ten machines could do in an hour. To her, the crucial impact is her hand guiding the metal and thread. Bert has taken on ancestral chimes as if she has a responsibility to the wind that is responsible for their clanging. Her drive to create her own animal pelts with razor precision has a casual deployment. She hangs them on branches as if the fabric and stitching are salted meat drying in the sun. Shock corridors of netted up sorrow. Hooks to dazzle their passage. The scale of her corridors is exaggerated for a repeated entrance and exit. She isn’t creating to intimidate her audience with scale. She’s engineered a scale for them to hide in sweet mercy. You could offer a casted trauma that belongs in a hot pink bubble net as she would never want you laying on Freud’s couch. Oh the vulnerability would be abhorrent! Bert was given a pile of mink fur as a donation. She proceeded to create an entire cocoon of the hair made for one and then scented it for a curious finish. She wore it in a gallery performance describing it as a slow parade. Her manifesto is a reported as ‘bleeding between the lines’. An acute observation of how subtext functions. When prompted on her practice she proclaims it a record keeping, a kind of visual record. She has given visual mediums the power of careful attention. One begins to feel an obsessive pull of tracking, the language of tracking repurposed. Her instinct is perhaps born of a lack of care to record her when she needed it. It’s as if she has manufactured every object that one may need if they were handed wrecks of the truth. There is a profound greatness in multiplying objects to create a library of protection. She is the recent mother of a furred wall hanging with eyes. As if to say I see you softly, I will witness as a poured favor. She has ecstatically lit up colors of abstraction to fill her armory. Color is a mainstay and there is a particular command of red. Red is blood. Red is the commonality of the physical pain we share. I am under your skin A beg stare hysteria A door as sin and you you will stay inside with no doors a bleak louse your head is a future feature https://unpolishedmagazine.com/# https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662624531162-4GQ85DEORW3T41JSJ0D8/image.jpg UNPOLISHED MAGAZINE - I guess I just wanted to Know How You felt in your skin. Words: by Brit Parks She has made you a net to hook your missing skin. If that won’t suffice she has formed an escape door for one in red stringy fur. Last resort, a black rubber mirror that Dorian Gray would covet. Bert Gilbert seemingly produces at a silent mach-worthy pace. Her hand touches every material as if they were born together. There exists no gap between the delicate embroidery of an eye to the steel bastions of lines to hang anything. Anything. As she does not meditate on materials, she lives with ideas under her skin. I suspect there is little space of consideration to her next object to conquer. She is akin to a bird that molts feathers to change appearance, perhaps to change fluff, perhaps to comfort everyone. She makes a nest for a nest. Sophie Calle asked for permission to lay an empty white dress on Sigmund Freud’s couch. The couch that is now cared for like a king’s abandoned throne. The flat dress is screaming absence for breakfast. He is missing. She is missing. It begs the question of why materialism can strike our hearts with such a concrete blow. Absence is a complexity of I needed you, and now you are air. You find yourself desperately sucking in air. It feels a bit dreadful, the panic of searching. Bert Gilbert is a breathing work of art. I can’t imagine her having that thought. I can, however, imagine her in her heavy British-lilt scolding me for the suggestion. She is not keeping her ego company. She seems to be hell bent on devising a method to keep invisible emotions company. She hand sews what appears to be the equivalent of what ten machines could do in an hour. To her, the crucial impact is her hand guiding the metal and thread. Bert has taken on ancestral chimes as if she has a responsibility to the wind that is responsible for their clanging. Her drive to create her own animal pelts with razor precision has a casual deployment. She hangs them on branches as if the fabric and stitching are salted meat drying in the sun. Shock corridors of netted up sorrow. Hooks to dazzle their passage. The scale of her corridors is exaggerated for a repeated entrance and exit. She isn’t creating to intimidate her audience with scale. She’s engineered a scale for them to hide in sweet mercy. You could offer a casted trauma that belongs in a hot pink bubble net as she would never want you laying on Freud’s couch. Oh the vulnerability would be abhorrent! Bert was given a pile of mink fur as a donation. She proceeded to create an entire cocoon of the hair made for one and then scented it for a curious finish. She wore it in a gallery performance describing it as a slow parade. Her manifesto is a reported as ‘bleeding between the lines’. An acute observation of how subtext functions. When prompted on her practice she proclaims it a record keeping, a kind of visual record. She has given visual mediums the power of careful attention. One begins to feel an obsessive pull of tracking, the language of tracking repurposed. Her instinct is perhaps born of a lack of care to record her when she needed it. It’s as if she has manufactured every object that one may need if they were handed wrecks of the truth. There is a profound greatness in multiplying objects to create a library of protection. She is the recent mother of a furred wall hanging with eyes. As if to say I see you softly, I will witness as a poured favor. She has ecstatically lit up colors of abstraction to fill her armory. Color is a mainstay and there is a particular command of red. Red is blood. Red is the commonality of the physical pain we share. I am under your skin A beg stare hysteria A door as sin and you you will stay inside with no doors a bleak louse your head is a future feature https://unpolishedmagazine.com/# https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662625268494-4FKQ2KUC1ENI0Z9QBFLJ/IMG_3007.jpg UNPOLISHED MAGAZINE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662625334020-FPUH85S1ZR5ASE4TEG1W/IMG_3009.jpg UNPOLISHED MAGAZINE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662625380870-SJ19VJKP70LIR7N1E11D/IMG_3010.jpg UNPOLISHED MAGAZINE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662625463577-OAASQ0X3IAYA5N5Y6LHZ/IMG_3011.jpg UNPOLISHED MAGAZINE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662625510819-4335DH1UO5L2TMLQ7PID/IMG_3012.jpg UNPOLISHED MAGAZINE - Photo by Nerys Jones https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662625496355-J6SRQAAIYS7P0TQ3UCSM/IMG_3014.jpg UNPOLISHED MAGAZINE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662625544567-B4CX0GRIGC4NYEW0RPEJ/IMG_3015.jpg UNPOLISHED MAGAZINE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662625574878-OQP8MQTTUR93TM44VHWJ/IMG_3016.jpg UNPOLISHED MAGAZINE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662625614341-J7TLAFG5FJ0ADZS34JV2/IMG_3017.jpg UNPOLISHED MAGAZINE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1663012954401-B3GUBENRGLPN8YZNY3ZK/IMG_3020.jpg UNPOLISHED MAGAZINE https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662625646353-DXKW3UTAJYGYGA6GGUNZ/IMG_3019.jpg UNPOLISHED MAGAZINE https://www.bertgilbert.co.uk/cold-lips daily 0.75 2026-05-30 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662911562505-P7A7VY6IKHTS0VKBJIR8/p1+cold+lips.jpg COLD LIPS Words by Kirsty Allison https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662911562505-P7A7VY6IKHTS0VKBJIR8/p1+cold+lips.jpg COLD LIPS Words by Kirsty Allison https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662911569863-V3ZWJE9G8VXUHT5Y02Q9/p2+cold+lips.jpg COLD LIPS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662911650526-Z2YNOJ78GW4AMHLIKHDJ/p3%2Bcold%2Blips.jpg COLD LIPS https://www.bertgilbert.co.uk/the-penetrable-man daily 0.75 2026-06-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780168495541-52WWL4LDEV6VFVV8SUWR/mirrormirror.png THE PENETRABLE MAN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780168495541-52WWL4LDEV6VFVV8SUWR/mirrormirror.png THE PENETRABLE MAN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780061050524-L54CPPDD7TZFAZU9UY72/2.jpg THE PENETRABLE MAN - The Penetrable Man. 2028 MIXED TEXTILES, WOOL, INK , WATERCOLOUR, METALLIC THREAD, GLASS BEADS, LEATHER, BRASS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780168160102-960B503JQQDEU6GU5EMJ/1.jpg THE PENETRABLE MAN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780169490267-0R5PITMUS8ECQVIZSHCP/view2.5.jpg THE PENETRABLE MAN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780169528750-1QOBP6AQEQTJ8R0DA6H5/3.jpg THE PENETRABLE MAN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780169764177-XWFN30W6JWSUL636T89T/_MG_0568.png THE PENETRABLE MAN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780169415920-DXASGRTGSCE59J45OHK1/PENETRABLE%2BMAN%2B2020.jpg THE PENETRABLE MAN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780170120192-7A38MO99SJNZG4DHHCGE/PENETRABLE%252BMAN%252B2020.jpg THE PENETRABLE MAN https://www.bertgilbert.co.uk/coda daily 0.75 2022-09-12 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662970028378-7CZ3RMUDFE1VTKBOLH52/calvin%2BHarris.jpg CODA - Calvin Harris Commissioned to draw a series of celebrity portraits for Coda Music Agency. All freehand with pen and ink https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662970028378-7CZ3RMUDFE1VTKBOLH52/calvin%2BHarris.jpg CODA - Calvin Harris Commissioned to draw a series of celebrity portraits for Coda Music Agency. 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Only 50 copies made, produced by @chestynutt (@snappedankles) with bespoke artwork by moi @bert_gilbert_official Digital release features ‘Paradise Burns (Jiz remix)' by John Gosling & Isabelle de Jour. Head over to VG bandcamp to purchase and pre-order. #vagrantlovers #blangrecords #newsingle #7inchvinvl #limitededition #IndependentMusic @gil_de_ray @kirstyallison_ https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1663707852911-FIDY4ASZEGUH7KC1TXVU/paradise+burns+insta.jpg VAGRANT LOVERS EP - Vagrant Lovers Debit single Artwork 2022 New artwork for my favourite humans @vagrantlovers .. here’s the result and the original.. based on #Gustavedore illustrations in #paradiselost Their debut single launches under @blang_records Catch them @roughtradeeast Weds 21st Sept and lookout for the very, very limited edition transparent 7" vinyl coming soon! Only 50 copies made, produced by @chestynutt (@snappedankles) with bespoke artwork by moi @bert_gilbert_official Digital release features ‘Paradise Burns (Jiz remix)' by John Gosling & Isabelle de Jour. Head over to VG bandcamp to purchase and pre-order. #vagrantlovers #blangrecords #newsingle #7inchvinvl #limitededition #IndependentMusic @gil_de_ray @kirstyallison_ https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1663707871838-9LPTIR6INZUDL023KPC4/bw+paradise+burns+darker+insta.jpg VAGRANT LOVERS EP - Vagrant Lovers Original Artwork Pencil and ink on paper. 2022 https://www.bertgilbert.co.uk/new-gallery-16 daily 0.75 2026-05-21 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779375183962-NAQUS773EJD6JEWYBL1V/CRI-0084web.jpg THE VESICA - The Vesica 2022 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779375183962-NAQUS773EJD6JEWYBL1V/CRI-0084web.jpg THE VESICA - The Vesica 2022 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1670794174398-XAH9N17CLI9F3XK9NG3G/image00019.jpg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1670794068844-TBZGN9M6FT82FENUGNIL/image00013.jpeg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1670794058539-I16X1ENSJUTI2HXBET1O/image00011.jpeg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1670794382943-WKMQF4P73NZM02P0NDOE/image00003.jpeg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1670794018425-L5AKEPUCJOWPQGNB8DEY/image00008.jpeg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1670794315334-4G60RQQ01AZLJAJATGKH/image00016.jpeg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1670793841807-XV8A3IRVT34NNS6H4ZTD/CRI-1008352.jpg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779377223328-M5Y25QIYJ4LHJAD4VM3C/DSC06262.jpg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779376694772-QPKITRUXOYMYYASX7J4R/CRI-0142.jpg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1670798486173-JSB86SY37NQDHHLOHH1P/DSC06284.jpg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1665615925389-3ESOBSRJ9IOAV6MS2RUG/thevaginawhispers+wip.jpg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1670794351566-BC7AZF1XF95NAIKUQ4ZK/image00001.jpeg THE VESICA https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/6345e2c6c604352ea37d5bef/6a0ecf96cdaacc67b7bfc38e/1779376641154/ THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1670794002806-3DI2TMMEBKQF5I0LI11F/image00007.jpeg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779377270411-XMG8BUSKRVN630FLL4W9/CRI-1008337.jpg THE VESICA https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779377085779-ZI603LIDZ02JETVW1SPZ/CRI-1008388.jpg THE VESICA https://www.bertgilbert.co.uk/exhibitions daily 0.75 2022-10-20 https://www.bertgilbert.co.uk/the-game-of-life daily 0.75 2026-06-02 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780405097607-FC923AN8C6NDZE4UTV8J/image-asset.jpeg The Game of Life by the Sinistry. Curated by James Putman - The Game of Life: text by Isabel de Vasconcellos Both graduates of Central St Martin’s, Gilbert had already established a practice spanning the worlds of art, fashion and music when she met Ers, then Creative Director of Hockley, whilst DJing at a party. Immediately recognising that their sensibilities and skills complemented each other in interesting and often counter-intuitive ways, their conversations opened up an experiment in cross-disciplinary collaboration exploring the Jungian conception of the contrasexual (the portion of the individual’s psyche having characteristics of the opposite gender) and the syzygy (the archetypal pairing of contrasexual opposites). Enacting the conditions for Jung’s postulated “communication of the conscious and unconscious minds, the conjunction of two organisms without the loss of identity", their partnership initially bore fruit in a manifesto celebrating duality and freedom. Painted, stitched and materialised in their Liberation Suits, their work was first exhibited in Istanbul in 2017. Building on this success, The Sinistry have evolved their hybrid practice to produce a series of works exploring symbolic language and the age-old interplay of pattern and meaning. From textiles and sculpture to works on paper, these pieces work individually, and cumulatively in the form of immersive installations, united by a sense of beauty and immanence, and a commitment to the craft and making as ritual and revelation. Their approach also has echoes of surrealism – itself deeply imbued in Jungian lore – drawing on the same common reserve of creative intuition as the Exquisite Corpse, the collaborative drawing technique celebrated by André Breton and his contemporaries. In the case of Gilbert and Ers, the act of making does not involve concealment or chance, but centres around a process of creative control ceded and reclaimed, a system of tacit permissions where the work of art unfolds out of a fusion of mystery and trust. The work is rooted in a mercurial, celebratory playfulness and fascination with the intricate mythologies and layered meanings behind letters, numbers and glyphs: slippery carriers of so much shifting promise and enlightenment. Their new sculptures and textile works, exhibited for the first time at Canal Place E8, enact a visual hermeneutics encompassing Roman, Hebrew, Hindi, cuneiform, runic alphabets and the artists’ private symbologies drawn from their identities (man/ woman, queer, British, Turkish, Shamanic, Jewish) and hermetic practices. Juxtaposed on masks, hands, eyes, snakes and scales, a deeper potency is activated, setting off new meanings, revealing their inherent instability whilst concurrently calling on the mind to chase, associate and make sense. The Sinistry bear witness to the protean potential of signifiers and embrace the chaos unleashed by the irresistible quest to “crack the code” of life, presenting the absurd and poignant search for certainty as a series of games with fugitive and arcane rules. Their take on the childhood favourite, Snakes and Ladders, plays on its origins in ancient India as instruments of Jain and Hindu metaphysics conveying circular notions of karma, and later recast in the starker and more binary terms of Victorian morality. In What’s Your Agender, they lay out the symbols of 40 of the currently recognised genders at the junctions of the squares, presenting our understanding of identity as a live and contested ground and inviting us to ask where we place ourselves in this evolving cosmology. The (No)Shame and the See-Hear-Speak-No-Evil Masks are the exploration of a “quantum psyche”, and the notion that identity is not a fixed point but rather a multitude of concurrent fragments that are constantly in flux, responding to physical, emotional and intuitive senses, reflecting the Manifesto’s avowal “I want to be you, without you I couldn’t be me”. The (No)Shame works evoke masks as instruments of control rather than the licentiousness with which they are so often associated. They draw on medieval shame masks, metal instruments of punishment and torture – often with internal spikes and other features identifying the cause of the wearer’s disgrace – locked over the faces of those accused of slander, gluttony and other forms of anti-social behaviour. Wearers of these devices were then paraded or parked in public as an act of humiliation and a warning to others. Public shaming is still very much alive in the 21st century, but here the forum has largely shifted online, where a panoply of stigmas force so many to retreat behind façades, whether as forms of protection, camouflage or embellishment. The sense of not being enough stalks humanity more than ever, and the (No)Shame Masks also bring to mind the cosmetic treatments that women in particular – still internalising a sense of rebuke that forever tells them they will never be beautiful or young enough – cast over their faces in increasingly fruitless attempts to rise to and anticipate reproach. Although they share a studio, Ers and Gilbert’s iterative way of creating proved particularly suited to last year’s lockdown restrictions, as each could work on a piece, then pass it to the other and back again until it was complete. During this time of isolation and silence, both artists experienced an amplified sense of how much the defaults of pre-pandemic life were set to favour a sense of resignation and complicity with the status quo. Observing Black Lives Matter and other protests that sounded against the silence of isolation, they became more aware of their own agency in what they as artists elect to ignore and can instead choose to represent. The See-Hear-Speak-No-Evil Masks came out of a growing awareness that what can often be seen as tact, or a spiritual refusal to dwell on evil or negative thoughts, can also be an abdication of responsibility. Described by the artists as “portals for active seeing”, the cosmic eyes in The Audience pick up on this intimation of agency and exhort the viewer to reclaim the act of looking from the burgeoning encroachment of surveillance and passive consumption, towards a more deliberate and personal engagement with the world around us. Together with mouths and ears, they reappear as motifs in the Dowry works, drawn and embroidered onto a collection of that most genteel of family legacies, the lace doily. Originally bequeathed to friends of the artists, these relics have been given new purpose as frames through which to reconnect to more analogue and intuitive modes of communication, and speak to The Sinistry’s active engagement with ritual, myth and altered states. The resonance of material and needlework handed down generations speaks powerfully too in the DNA Placemats, with the table settings for family meals where values and world views meet across the generations, become a canvas for The Sinistry’s contemporary provocations from the Game of Life Manifesto. That should start a conversation or two. The manifestos weave their way through the exhibition, as a thread in cuneiform, laser cut onto vegtan leather; in the hands in Tug of War; and snaking through the veils in Hands of Mercy. Pointing not only to hands as means of communication, they invoke Stan Tenen’s theories of archetypical hand gestures being the very source of the Hebrew alphabet, and a bridge to ancient practices hidden or altogether lost. The alchemical palette (black, white, red, gold and silver) of Manifesto I’s Liberation Suits is broadened in The Game of Life to accommodate the colours of the Tree of Life, reflecting Ers and Gilbert’s explorations of Kabbalah and other uses of colour in healing as well as the broadening spectrum of gender identity. The snake and its eye is a recurring motif, not only as a symbol of wisdom, but in The Cosmic Serpent from the ancient Egyptian board game inspired by the snake-god Mehen (associated with the ouroboros), the rules of which have also been forgotten. As with so much in the show, they turn the onus back on the viewer, to decipher and determine rules of their own. Alongside a soundscape from acclaimed composer Colin Ross Waterson, exploring an experiential dialogue with space and the work, The Game of Life presents a series of cryptic clues and symbolic pathways. Employing the masks and other esoteric precepts, the artists invite you to map out your individual journey through their work, guiding you through symbologies and cryptic clues in a satirical, psychoanalytical and spiritual quest for enlightenment, confusion and back again. Curated by James Putnam, the exhibition will be at Canal Place, 2 Sheep Lane, London E8 4QS, 4 - 7 June 2021. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780405097607-FC923AN8C6NDZE4UTV8J/image-asset.jpeg The Game of Life by the Sinistry. Curated by James Putman - The Game of Life: text by Isabel de Vasconcellos Both graduates of Central St Martin’s, Gilbert had already established a practice spanning the worlds of art, fashion and music when she met Ers, then Creative Director of Hockley, whilst DJing at a party. Immediately recognising that their sensibilities and skills complemented each other in interesting and often counter-intuitive ways, their conversations opened up an experiment in cross-disciplinary collaboration exploring the Jungian conception of the contrasexual (the portion of the individual’s psyche having characteristics of the opposite gender) and the syzygy (the archetypal pairing of contrasexual opposites). Enacting the conditions for Jung’s postulated “communication of the conscious and unconscious minds, the conjunction of two organisms without the loss of identity", their partnership initially bore fruit in a manifesto celebrating duality and freedom. Painted, stitched and materialised in their Liberation Suits, their work was first exhibited in Istanbul in 2017. Building on this success, The Sinistry have evolved their hybrid practice to produce a series of works exploring symbolic language and the age-old interplay of pattern and meaning. From textiles and sculpture to works on paper, these pieces work individually, and cumulatively in the form of immersive installations, united by a sense of beauty and immanence, and a commitment to the craft and making as ritual and revelation. Their approach also has echoes of surrealism – itself deeply imbued in Jungian lore – drawing on the same common reserve of creative intuition as the Exquisite Corpse, the collaborative drawing technique celebrated by André Breton and his contemporaries. In the case of Gilbert and Ers, the act of making does not involve concealment or chance, but centres around a process of creative control ceded and reclaimed, a system of tacit permissions where the work of art unfolds out of a fusion of mystery and trust. The work is rooted in a mercurial, celebratory playfulness and fascination with the intricate mythologies and layered meanings behind letters, numbers and glyphs: slippery carriers of so much shifting promise and enlightenment. Their new sculptures and textile works, exhibited for the first time at Canal Place E8, enact a visual hermeneutics encompassing Roman, Hebrew, Hindi, cuneiform, runic alphabets and the artists’ private symbologies drawn from their identities (man/ woman, queer, British, Turkish, Shamanic, Jewish) and hermetic practices. Juxtaposed on masks, hands, eyes, snakes and scales, a deeper potency is activated, setting off new meanings, revealing their inherent instability whilst concurrently calling on the mind to chase, associate and make sense. The Sinistry bear witness to the protean potential of signifiers and embrace the chaos unleashed by the irresistible quest to “crack the code” of life, presenting the absurd and poignant search for certainty as a series of games with fugitive and arcane rules. Their take on the childhood favourite, Snakes and Ladders, plays on its origins in ancient India as instruments of Jain and Hindu metaphysics conveying circular notions of karma, and later recast in the starker and more binary terms of Victorian morality. In What’s Your Agender, they lay out the symbols of 40 of the currently recognised genders at the junctions of the squares, presenting our understanding of identity as a live and contested ground and inviting us to ask where we place ourselves in this evolving cosmology. The (No)Shame and the See-Hear-Speak-No-Evil Masks are the exploration of a “quantum psyche”, and the notion that identity is not a fixed point but rather a multitude of concurrent fragments that are constantly in flux, responding to physical, emotional and intuitive senses, reflecting the Manifesto’s avowal “I want to be you, without you I couldn’t be me”. The (No)Shame works evoke masks as instruments of control rather than the licentiousness with which they are so often associated. They draw on medieval shame masks, metal instruments of punishment and torture – often with internal spikes and other features identifying the cause of the wearer’s disgrace – locked over the faces of those accused of slander, gluttony and other forms of anti-social behaviour. Wearers of these devices were then paraded or parked in public as an act of humiliation and a warning to others. Public shaming is still very much alive in the 21st century, but here the forum has largely shifted online, where a panoply of stigmas force so many to retreat behind façades, whether as forms of protection, camouflage or embellishment. The sense of not being enough stalks humanity more than ever, and the (No)Shame Masks also bring to mind the cosmetic treatments that women in particular – still internalising a sense of rebuke that forever tells them they will never be beautiful or young enough – cast over their faces in increasingly fruitless attempts to rise to and anticipate reproach. Although they share a studio, Ers and Gilbert’s iterative way of creating proved particularly suited to last year’s lockdown restrictions, as each could work on a piece, then pass it to the other and back again until it was complete. During this time of isolation and silence, both artists experienced an amplified sense of how much the defaults of pre-pandemic life were set to favour a sense of resignation and complicity with the status quo. Observing Black Lives Matter and other protests that sounded against the silence of isolation, they became more aware of their own agency in what they as artists elect to ignore and can instead choose to represent. The See-Hear-Speak-No-Evil Masks came out of a growing awareness that what can often be seen as tact, or a spiritual refusal to dwell on evil or negative thoughts, can also be an abdication of responsibility. Described by the artists as “portals for active seeing”, the cosmic eyes in The Audience pick up on this intimation of agency and exhort the viewer to reclaim the act of looking from the burgeoning encroachment of surveillance and passive consumption, towards a more deliberate and personal engagement with the world around us. Together with mouths and ears, they reappear as motifs in the Dowry works, drawn and embroidered onto a collection of that most genteel of family legacies, the lace doily. Originally bequeathed to friends of the artists, these relics have been given new purpose as frames through which to reconnect to more analogue and intuitive modes of communication, and speak to The Sinistry’s active engagement with ritual, myth and altered states. The resonance of material and needlework handed down generations speaks powerfully too in the DNA Placemats, with the table settings for family meals where values and world views meet across the generations, become a canvas for The Sinistry’s contemporary provocations from the Game of Life Manifesto. That should start a conversation or two. The manifestos weave their way through the exhibition, as a thread in cuneiform, laser cut onto vegtan leather; in the hands in Tug of War; and snaking through the veils in Hands of Mercy. Pointing not only to hands as means of communication, they invoke Stan Tenen’s theories of archetypical hand gestures being the very source of the Hebrew alphabet, and a bridge to ancient practices hidden or altogether lost. The alchemical palette (black, white, red, gold and silver) of Manifesto I’s Liberation Suits is broadened in The Game of Life to accommodate the colours of the Tree of Life, reflecting Ers and Gilbert’s explorations of Kabbalah and other uses of colour in healing as well as the broadening spectrum of gender identity. The snake and its eye is a recurring motif, not only as a symbol of wisdom, but in The Cosmic Serpent from the ancient Egyptian board game inspired by the snake-god Mehen (associated with the ouroboros), the rules of which have also been forgotten. As with so much in the show, they turn the onus back on the viewer, to decipher and determine rules of their own. Alongside a soundscape from acclaimed composer Colin Ross Waterson, exploring an experiential dialogue with space and the work, The Game of Life presents a series of cryptic clues and symbolic pathways. Employing the masks and other esoteric precepts, the artists invite you to map out your individual journey through their work, guiding you through symbologies and cryptic clues in a satirical, psychoanalytical and spiritual quest for enlightenment, confusion and back again. Curated by James Putnam, the exhibition will be at Canal Place, 2 Sheep Lane, London E8 4QS, 4 - 7 June 2021. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710568135-N0WNOG2QMEW35IODP37S/install_-19.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710563497-GE0DCTJ3QOOS4Z74J757/install_-17.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710537091-2DWNJ997EGPGMSFJVDPU/install_-1.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710583191-1XETF1R00BBH0C54F3DK/install_-25.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710581749-A9U271WTD6IS04OAT11J/install_-24.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710536446-OGZDBAPDEJASN3HIL5PR/install_-2.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710539530-QVOE6NW8H11HQX7QUSA2/install_-3.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710540271-LACKYJ7VIVUX9D1LLHHO/install_-4.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710542065-TA7DJV1A27TOM1PDAPAY/install_-5.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710542778-JLHMV2W1H082IE7K3DB2/install_-6.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710544473-CTUDMMBC43FXRHQIIQU2/install_-7.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710545382-US0F27UQISV3TAHEZVIY/install_-8.jpg The Game of Life by the Sinistry. 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Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710631346-8A3T58GI7SRAI6Y75XMZ/install_-48.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710631761-8KFLBKDNVP2LW6UTHPWH/install_-49.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710633794-G74RVX7L7AJK0QQ6RG5M/install_-50.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710634892-GHUY6OZKON0L9M4ICW7M/install_-51.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710639035-GMKAVMSBKKPCJVE930DA/install_-52.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710639248-J5YPJKST0HKUKBK1MSY2/install_-53.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710643944-7F0H61IS94BMR420RJQQ/install_-54.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710643923-XFM3V45EFK0CBCRX6LIS/install_-55.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710648036-FXV5MOV7269D98BTK50H/install_-56.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710648648-K1YHR2NWQI8YU9M6PMN0/install_-57.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710652432-IFDQD7RQWOTM3EHCVOGP/install_-58.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710653814-JW2TDIQS1RC0VXA6BB49/install_-59.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710654622-YNYJIX1GPUEJPF3LR4Z4/install_-60.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710656768-S9R369982LI8FK724ERP/install_-61.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710657818-21X3I3LPZXWUCGYCWIAY/install_-62.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710660972-1TMQLPAL2QIZFRO6DTF9/install_-63.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710662481-IIQPXSAAAKAMRN8TK8YN/install_-64.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710664629-4R1YQTHSXINDTC9ZVHE0/install_-65.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710667254-4M0XQNDJDJPOCKK19OBX/install_-66.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710669623-QUMP780JG5COFVF8H03H/install_-67.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710672572-P3YMJJYLGW5F1U7JOLQC/install_-68.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710674060-SPAK21SCP7QC6WPV2A6F/install_-69.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710676865-8BIK8BI0CZEYBHDBUEVZ/install_-70.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710677933-BAWGW9LLTEECGP8FK4L8/install_-71.jpg The Game of Life by the Sinistry. Curated by James Putman https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666710681362-92UFQ6SHE5JOCL3HKCTX/install_-72.jpg The Game of Life by the Sinistry. Curated by James Putman https://www.bertgilbert.co.uk/gallery-46 daily 0.75 2026-05-29 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666711710419-EQ7A0AOYIEHLIA6LM2HS/IMG_2074.JPG KUNST THE CLOWN & FRIENDS at GALLERY 46 - The Variants I,II&III 2022 KUNST THE CLOWN & FRIENDS at GALLERY 46 A group show of international artists invited by KUNST the CLOWN. Curated by PAUL SAKOILSKY & GALLERY46 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666711710419-EQ7A0AOYIEHLIA6LM2HS/IMG_2074.JPG KUNST THE CLOWN & FRIENDS at GALLERY 46 - The Variants I,II&III 2022 KUNST THE CLOWN & FRIENDS at GALLERY 46 A group show of international artists invited by KUNST the CLOWN. Curated by PAUL SAKOILSKY & GALLERY46 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666711740132-QNH1OOSTALKRY4PVYQ4T/IMG_2076.JPG KUNST THE CLOWN & FRIENDS at GALLERY 46 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666711689870-2IB5862XC798D236L6OR/IMG_2084.JPG KUNST THE CLOWN & FRIENDS at GALLERY 46 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780059428897-I3YKFGTFT1TLXUYE02QS/me+adjusted.jpg KUNST THE CLOWN & FRIENDS at GALLERY 46 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780059503721-ILYHE0UWQSLIFQPZWXKZ/me+adjusted+1.jpg KUNST THE CLOWN & FRIENDS at GALLERY 46 https://www.bertgilbert.co.uk/mimmo-scognamiglio daily 0.75 2026-06-02 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780405443817-BZKEP3M3MMAA6Z8OVT10/Shamanism+PR.jpg Shamanism at Mimmo Scognamiglio https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780405443817-BZKEP3M3MMAA6Z8OVT10/Shamanism+PR.jpg Shamanism at Mimmo Scognamiglio https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666711866477-FYSFYTNKQQOSRXWQZE3O/IMG_6097.jpeg Shamanism at Mimmo Scognamiglio - Shamanism curated by James Putman “ Bert Gilbert who has a ritualistic and metaphysical approach to materials has created a series of sculptures using formerly discarded animal pelts that she has painted with intricate symbolic designs hung on tree branches. With a similar affinity with nature and organic materials “ There is a current tendency for some artists to look beyond everyday reality into the realms of the metaphysical incorporating elements of myth, alchemy, animism, folklore and ritual into their practice. The premise behind the curatorial concept that artists have taken on the role of shamans in contemporary society is purely metaphorical rather than literal. Shamanism can be defined as a universal phenomenon that relato humanity’s relationship to spirituality through nature with its roots in the cultures of indigenous peoples across the world. These mystical spiritual practices have their origins in parts of Siberia, Australia, Africa and the Americas as well as pre-modern Europe. Like shamanism, art can be a calling, a means of exploring non-ordinary states of consciousness as if in communion with an external force or ‘spirit’. The creation of a work of art can sometimes involve a process of metamorphosis, insights, visions and dreams, in a quest for life’s deeper meaning. This diverse collection of international artists using the mediums of drawing, painting, sculpture, photography, video, and installation are in tune with a new sensibility that also embraces aspects of ecology, sustainability and futurism. These works can evoke our connection with the natural world and help us to feel part of an all-inclusive collective vision of our ancestor’s bond with nature. Shamanism cares for the well- being of both nature and human nature, and their inter-relationship, a quality that many artists also strive to capture in their work. Although there is a common misconception that nature is an autonomous entity existing independent from the human race, we are of course all part of nature. The artist’s observation and understanding of nature tends to relate to an understanding of human nature, and of the human condition within nature. By applying aspects of shamanism to the contemporary, artists express an awareness of nature’s dual enigmatic force and fragility. Shamanism relates to humanity’s relationship to art and spirituality and is traditionally used to communicate with unseen forces for the purpose of divination and healing. there is also the notion that animals and certain plants have a spirit that is alive and conscious, so shamans sometimes wear animal masks to invoke metaphysical powers through the inherent forces of nature. Shamanism can also involve the magical transformation of humans into animals, prophetic dreams, and interaction with the souls of the dead. Shamans are seers who are believed to be endowed with profound spiritual insight or knowledge and possess intuitive powers with an ability to prophesy future events. Despite its suppression and stigmatization in the West, shamanism still exists around the world and age-old rituals continue to be passed down from generation to generation and are still performed even in some European agrarian societies to bring fertility as well as to engender harmony and well-being in village communities. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666711865402-N1HQ1WX9A9VGHZ9ZPJY6/IMG_6093.jpeg Shamanism at Mimmo Scognamiglio https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666711891726-JLL30MYUPWX9KQ4SNR5A/IMG_6124.jpeg Shamanism at Mimmo Scognamiglio https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666711882379-0CD2HKNUGPETA842FXPC/IMG_6117.jpeg Shamanism at Mimmo Scognamiglio https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779983083662-QSVPEOMK62XS1A91U3BF/IMG_6668.JPG Shamanism at Mimmo Scognamiglio - The Scapegoat. 2016 Watercolour, ink and gold leaf on water colour paper 42× 29.7cm https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666712476943-1GWTCD9G0SRE3DXBVIK6/IMG_6935.JPG Shamanism at Mimmo Scognamiglio https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666712440094-1F5TMRZ9VDBUTKL146CM/IMG_6931web.jpg Shamanism at Mimmo Scognamiglio https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666712495574-YDY8FXL4H64QXHBNZXJ9/IMG_6960-web.jpg Shamanism at Mimmo Scognamiglio https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/635123e9e241e05dbaeea562/635801d9c103036ea0aed618/1756847597237/ Shamanism at Mimmo Scognamiglio https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666712451406-A748D6CFC6I76A4LXG83/IMG_6943.JPG Shamanism at Mimmo Scognamiglio https://www.bertgilbert.co.uk/the-center-cannot-hold daily 0.75 2026-06-02 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1491930271924-J5NMZGXR8S50Z0YJU4W1/IMG_20170325_130938_465_resized.jpg THE CENTER CANNOT HOLD, ISTANBUL, CURATED BY SUZANNE EGERAN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1491930271924-J5NMZGXR8S50Z0YJU4W1/IMG_20170325_130938_465_resized.jpg THE CENTER CANNOT HOLD, ISTANBUL, CURATED BY SUZANNE EGERAN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666716772416-YK5Q7FEDEYG4THPRF5RM/0480.jpg THE CENTER CANNOT HOLD, ISTANBUL, CURATED BY SUZANNE EGERAN https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/6351242a38a102765acc457e/6358136e5c401e09aa493416/1666716526986/ THE CENTER CANNOT HOLD, ISTANBUL, CURATED BY SUZANNE EGERAN https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666716738669-RN246JOI31BE1Q0TO3GJ/017.jpg THE CENTER CANNOT HOLD, ISTANBUL, CURATED BY SUZANNE EGERAN 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La Sira, Asinere sur Seine, Paris https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662928413581-U2AXL7GMAN25SMEWRGJ7/duo-armsup2.jpg Mad Agency. La Sira, Asinere sur Seine, Paris https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1662928435619-J9TP863N80Q9BYC8S5WH/incense-bert.jpg Mad Agency. La Sira, Asinere sur Seine, Paris https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462710899834-3MCVXMFVVEIA1E12MZUG/IMG_0127.JPG Mad Agency. La Sira, Asinere sur Seine, Paris https://www.bertgilbert.co.uk/new-gallery-45 daily 0.75 2026-05-29 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462142422161-HVRP6112GBXKOEI2R1G7/asylum+overview+2+web.jpg Directional Forces, Bedburgh-Hau, Germany https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779981542460-VYS3MZLG7HUTM5G4ESGU/Screenshot+2026-04-28+at+08.13.47.png Directional Forces, Bedburgh-Hau, Germany https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1462142422161-HVRP6112GBXKOEI2R1G7/asylum+overview+2+web.jpg Directional Forces, Bedburgh-Hau, Germany https://static1.squarespace.com/static/560351b3e4b07ebf58d7494f/63581c869671da56be375712/6a1859997ac56538bbc307da/1779981553433/ Directional Forces, Bedburgh-Hau, Germany https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461761031270-GO7V2FQDR3LWKVFY3VDZ/asylum+show+1.jpg Directional Forces, Bedburgh-Hau, Germany 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Directional Forces: Trinity Buoy Wharf https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1476909662151-68UM9IZZ2YU3TEU51LJT/overview+web.jpg Directional Forces: Trinity Buoy Wharf https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1476907460903-SQXTOFD89BK8OEN2IFM3/SKINS-WEB.jpg Directional Forces: Trinity Buoy Wharf https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1476910054527-4YQGN5VQCBOQVIOMO7WT/furfinger+cropweb.jpg Directional Forces: Trinity Buoy Wharf https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1476909808598-N2R0ZGP60KXKXA1XRMCH/heartfire+web.jpg Directional Forces: Trinity Buoy Wharf https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1476903497928-110U0GDRQM184R52QRBR/6T9C9061BW.jpg Directional Forces: Trinity Buoy Wharf https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1476904100607-GXDO8RRSSCL2ZLOE0SMU/6T9C9124WEB.jpg Directional Forces: Trinity Buoy Wharf https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1476904113464-SMJEAZACK7ACUFUFOS3O/6T9C9160WEB.jpg Directional Forces: Trinity Buoy Wharf https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1476904099536-Y4ERBHS25RJ1XA5WNB9N/6T9C9201WEB.jpg Directional Forces: Trinity Buoy Wharf https://www.bertgilbert.co.uk/arusha-gallery-and-tate-publishing daily 0.75 2026-06-02 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780405696124-E3UQQA5353O1JPQ3GQDE/Screenshot+2026-06-02+at+14.07.33.png ARUSHA GALLERY AND TATE PUBLISHING https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780405696124-E3UQQA5353O1JPQ3GQDE/Screenshot+2026-06-02+at+14.07.33.png ARUSHA GALLERY AND TATE PUBLISHING https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1780405624509-96Z6CA6LTDGZ7HDINH4A/image-asset.png ARUSHA GALLERY AND TATE PUBLISHING https://www.bertgilbert.co.uk/contact daily 0.75 2026-06-22 https://www.bertgilbert.co.uk/about daily 0.75 2026-05-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/d21eb4c7-a077-4490-9295-6b0d53a2fc1c/Bert_Industries-4.jpg ABOUT - Make it stand out Photographer: Fran Hales https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1466870626050-IDC8V31G0Z9Z8Y24D7CU/12961289_10207206413411861_3834489626572072100_o.jpg ABOUT PHOTOGRAPHER ANSELL CIZIC https://www.bertgilbert.co.uk/new-page-1 daily 0.75 2026-06-09 https://www.bertgilbert.co.uk/home2 daily 1.0 2026-05-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666261020508-HWW4L0IPKDDYOWMQRZH6/BERT0219.jpeg HOME https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1721307244435-N7IHU5GEPTGAGHWR1KG3/0470.jpg HOME https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666261020951-EYJ1J28P2K37MYPEA4T3/skye+1+.jpeg HOME 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https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779447024997-MYPFGT7JE99NP7FFYJV8/the+record+keepersweb+2025.jpg HOME https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779377085779-ZI603LIDZ02JETVW1SPZ/CRI-1008388.jpg HOME https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/a5868529-61bc-4c66-a830-88dbf0de860b/cosmic+eye.jpg HOME https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1461925890321-9OS1X7EWXNCS9CFPXYNQ/oysters.jpg HOME https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1463358137795-YF0DX7MWU5I53WD38KO8/NG_BertEC-epping.jpg HOME https://www.bertgilbert.co.uk/original-works daily 0.75 2026-06-09 https://www.bertgilbert.co.uk/prints-editions daily 0.75 2026-07-12 https://www.bertgilbert.co.uk/the-sinistry-2 daily 0.75 2026-06-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1666716773322-NPO5MI5GK2KVYWPAK13T/0487.jpg THE SINISTRY - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1491918577294-LZFIK296HZG1M2Q7D6VR/THE+SINISTRY+manifesto.jpg THE SINISTRY - MANIFESTO I. 2017 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1494458953577-2CBJ3K7AZ3UEKPEZTELN/suits+from+instagram.jpg THE SINISTRY - The Liberation Suits. 2017. 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The Game of Life: text by Isabel de Vasconcellos Both graduates of Central St Martin’s, Gilbert had already established a practice spanning the worlds of art, fashion and music when she met Ers, then Creative Director of Hockley, whilst DJing at a party. Immediately recognising that their sensibilities and skills complemented each other in interesting and often counter-intuitive ways, their conversations opened up an experiment in cross-disciplinary collaboration exploring the Jungian conception of the contrasexual (the portion of the individual’s psyche having characteristics of the opposite gender) and the syzygy (the archetypal pairing of contrasexual opposites). Enacting the conditions for Jung’s postulated “communication of the conscious and unconscious minds, the conjunction of two organisms without the loss of identity", their partnership initially bore fruit in a manifesto celebrating duality and freedom. Painted, stitched and materialised in their Liberation Suits, their work was first exhibited in Istanbul in 2017. Building on this success, The Sinistry have evolved their hybrid practice to produce a series of works exploring symbolic language and the age-old interplay of pattern and meaning. From textiles and sculpture to works on paper, these pieces work individually, and cumulatively in the form of immersive installations, united by a sense of beauty and immanence, and a commitment to the craft and making as ritual and revelation. Their approach also has echoes of surrealism – itself deeply imbued in Jungian lore – drawing on the same common reserve of creative intuition as the Exquisite Corpse, the collaborative drawing technique celebrated by André Breton and his contemporaries. In the case of Gilbert and Ers, the act of making does not involve concealment or chance, but centres around a process of creative control ceded and reclaimed, a system of tacit permissions where the work of art unfolds out of a fusion of mystery and trust. The work is rooted in a mercurial, celebratory playfulness and fascination with the intricate mythologies and layered meanings behind letters, numbers and glyphs: slippery carriers of so much shifting promise and enlightenment. Their new sculptures and textile works, exhibited for the first time at Canal Place E8, enact a visual hermeneutics encompassing Roman, Hebrew, Hindi, cuneiform, runic alphabets and the artists’ private symbologies drawn from their identities (man/ woman, queer, British, Turkish, Shamanic, Jewish) and hermetic practices. Juxtaposed on masks, hands, eyes, snakes and scales, a deeper potency is activated, setting off new meanings, revealing their inherent instability whilst concurrently calling on the mind to chase, associate and make sense. The Sinistry bear witness to the protean potential of signifiers and embrace the chaos unleashed by the irresistible quest to “crack the code” of life, presenting the absurd and poignant search for certainty as a series of games with fugitive and arcane rules. Their take on the childhood favourite, Snakes and Ladders, plays on its origins in ancient India as instruments of Jain and Hindu metaphysics conveying circular notions of karma, and later recast in the starker and more binary terms of Victorian morality. In What’s Your Agender, they lay out the symbols of 40 of the currently recognised genders at the junctions of the squares, presenting our understanding of identity as a live and contested ground and inviting us to ask where we place ourselves in this evolving cosmology. The (No)Shame and the See-Hear-Speak-No-Evil Masks are the exploration of a “quantum psyche”, and the notion that identity is not a fixed point but rather a multitude of concurrent fragments that are constantly in flux, responding to physical, emotional and intuitive senses, reflecting the Manifesto’s avowal “I want to be you, without you I couldn’t be me”. The (No)Shame works evoke masks as instruments of control rather than the licentiousness with which they are so often associated. They draw on medieval shame masks, metal instruments of punishment and torture – often with internal spikes and other features identifying the cause of the wearer’s disgrace – locked over the faces of those accused of slander, gluttony and other forms of anti-social behaviour. Wearers of these devices were then paraded or parked in public as an act of humiliation and a warning to others. Public shaming is still very much alive in the 21st century, but here the forum has largely shifted online, where a panoply of stigmas force so many to retreat behind façades, whether as forms of protection, camouflage or embellishment. The sense of not being enough stalks humanity more than ever, and the (No)Shame Masks also bring to mind the cosmetic treatments that women in particular – still internalising a sense of rebuke that forever tells them they will never be beautiful or young enough – cast over their faces in increasingly fruitless attempts to rise to and anticipate reproach. Although they share a studio, Ers and Gilbert’s iterative way of creating proved particularly suited to last year’s lockdown restrictions, as each could work on a piece, then pass it to the other and back again until it was complete. During this time of isolation and silence, both artists experienced an amplified sense of how much the defaults of pre-pandemic life were set to favour a sense of resignation and complicity with the status quo. Observing Black Lives Matter and other protests that sounded against the silence of isolation, they became more aware of their own agency in what they as artists elect to ignore and can instead choose to represent. The See-Hear-Speak-No-Evil Masks came out of a growing awareness that what can often be seen as tact, or a spiritual refusal to dwell on evil or negative thoughts, can also be an abdication of responsibility. Described by the artists as “portals for active seeing”, the cosmic eyes in The Audience pick up on this intimation of agency and exhort the viewer to reclaim the act of looking from the burgeoning encroachment of surveillance and passive consumption, towards a more deliberate and personal engagement with the world around us. Together with mouths and ears, they reappear as motifs in the Dowry works, drawn and embroidered onto a collection of that most genteel of family legacies, the lace doily. Originally bequeathed to friends of the artists, these relics have been given new purpose as frames through which to reconnect to more analogue and intuitive modes of communication, and speak to The Sinistry’s active engagement with ritual, myth and altered states. The resonance of material and needlework handed down generations speaks powerfully too in the DNA Placemats, with the table settings for family meals where values and world views meet across the generations, become a canvas for The Sinistry’s contemporary provocations from the Game of Life Manifesto. That should start a conversation or two. The manifestos weave their way through the exhibition, as a thread in cuneiform, laser cut onto vegtan leather; in the hands in Tug of War; and snaking through the veils in Hands of Mercy. Pointing not only to hands as means of communication, they invoke Stan Tenen’s theories of archetypical hand gestures being the very source of the Hebrew alphabet, and a bridge to ancient practices hidden or altogether lost. The alchemical palette (black, white, red, gold and silver) of Manifesto I’s Liberation Suits is broadened in The Game of Life to accommodate the colours of the Tree of Life, reflecting Ers and Gilbert’s explorations of Kabbalah and other uses of colour in healing as well as the broadening spectrum of gender identity. The snake and its eye is a recurring motif, not only as a symbol of wisdom, but in The Cosmic Serpent from the ancient Egyptian board game inspired by the snake-god Mehen (associated with the ouroboros), the rules of which have also been forgotten. As with so much in the show, they turn the onus back on the viewer, to decipher and determine rules of their own. Alongside a soundscape from acclaimed composer Colin Ross Waterson, exploring an experiential dialogue with space and the work, The Game of Life presents a series of cryptic clues and symbolic pathways. Employing the masks and other esoteric precepts, the artists invite you to map out your individual journey through their work, guiding you through symbologies and cryptic clues in a satirical, psychoanalytical and spiritual quest for enlightenment, confusion and back again. 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THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779449458893-UAULTWLF29DVH4TBADI9/the+record+keepersweb+20259.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779449462109-JAYQJ3E2WGX4Z6AAJMHI/the+record+keepersweb+202510.jpg THE RECORD KEEPERS https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/1779449686342-V08YPRAT1QKHO1YD5Y0X/the%2Brecord%2Bkeepersweb%2B202518.jpg THE RECORD KEEPERS https://www.bertgilbert.co.uk/thevesica daily 0.75 2026-06-22 https://images.squarespace-cdn.com/content/v1/560351b3e4b07ebf58d7494f/bad2ad8c-a77b-42b7-b59d-8ca1201f0c24/CRI-0084.jpg THE VESICA - Make it stand out The Vesica 2022. 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